Master Drawings New York: at Robert Simon Fine Art
An exhibition of British and Scottish pictures from the nineteenth and twentieth centuries and decorative art and furniture from the late nineteenth century: prints by James Whistler; a group of Glasgow Boys including Joseph Crawhall, Sir James Guthrie, and Arthur Melville; Scottish Colourists FCB Cadell and SJ Peploe; and an early Keith Vaughan gouache amongst others. Phoebe Traquair, Christopher Dresser and Talwin Morris are represented within the group of Decorative work that will be on view.
Exhibition venue:
Robert Simon Fine Art
22 East 80th Street, 4th Floor
New York City
20 - 28 January 2023
https://www.masterdrawingsnewyork.com/exhibitors/the-fine-art-society/
Exhibition Event:
Celebrating Scotland's Art
Lecture by Dr. Patricia Allerston, Deputy Director and Chief Curator of European and Scottish Art, National Galleries of Scotland
21 January 2023 at Christopher Bishop Fine Art
Click here for event registration and venue details
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Alexander Nasmyth HRSATwilight, Edinburgh, 1815inscribed 'Twilight beautiful cool purple [...image?] on the hill on the sky and valley Edinburgh June 15' in pen to marginpen, pencil and wash4 ½ x 7 ¾ inches
[gallery: Edinburgh] -
John KnoxPurse Bay, Ullswateroil on canvas10 x 14 inches
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John KnoxLoch Goyleoil on canvas10 x 14 inches
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John KnoxLoch Lomond looking northoil on canvas10 x 14 inches
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Sir David Wilkie RA HRSAYoung Girl with a Dog, 1829inscribed 'D Wilkie January 19th 1829'pencil and watercolour with ink on paper8 x 6 ¾ inches
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Patrick NasmythTintern Abbey, 1827signed and dated 1827 on panel verso; inscribed on label verso “This picture landscape / with Tintern Abbey in the distance / was bought from Peter Nasmyth by John Hampa and sold by / him to Lord Murray for 30 guineas / and was bought by me after / Lord Murray's death for / John Burt Esq. M.D. / D Bruce”; inscribed on panel verso “No 24 / P... Nasmyth / Lon... / 1827”oil on panel7 ¼ x 9 ¾ inches
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Thomas Faed ARSA RAFrom dawn to sunset, first thoughtssigned; inscribed by the artist on label verso: 'From dawn to sunset - first thoughts'watercolour3 ½ x 5 ¾ inches
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Sir William Quiller Orchardson RAStudy of the Christ Childoil and pencil on canvas7 ½ x 14 ¼ inches
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James McNeill WhistlerBibi Lalouette, 1859signed and dated 1859 in plateetching and drypoint9 x 6 inchesan impression in the second (final) state
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James McNeill WhistlerVenus, 1859printed in black ink on laid paperetching and drypoint6 x 9 inchesan impression in the second (final) state: there was no published edition
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James McNeill WhistlerPenny Passengers, Limehouse, 1860signed in pencil with a butterfly and inscribed 'imp', printed in black ink on laid paper, trimmed at the platemark, leaving a signature tabetching and drypoint3 ¼ x 8 ⅛ inchesan impression in the second (final) state, one of only six recorded
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James McNeill WhistlerNocturne, 1879-80signed in pencil with the butterfly and inscribed 'imp', printed in brown ink on laid paper, trimmed at the platemark by the artist, leaving a signature tabetching7 ¾ x 11 ½ inchesan impression in the fifth (final) state: published in an edition of 100 in 'Venice: Twelve Etchings', 1880
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William McTaggart RSA RSWGlenramskill, 1908oil on canvas38 ¾ x 58 inches • 98.4 x 147.3 cm
[gallery: Edinburgh] -
William HackstounLandscapesignedwatercolour10 x 13 inches
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Arthur Melville ARSA RSWWinter, Duddingston Loch, c.1885signedwatercolour20 x 26 inches • 50.8 x 66 cm
[gallery: Edinburgh] -
Sir James Guthrie HRA PRSA HRSWBoy with a straw, 1886signed and dated '86oil on canvas16 ¼ x 12 inches
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Sir James Guthrie HRA PRSA HRSWCambuskenneth Ferry, 1888signedpastel on paper10 x 17 ½ inches
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Joseph Crawhall RSWIn The Paddock, c.1894-1900signedgouache on linen11 ¼ x 15 inches • 28.6 x 38 cm
[gallery: Edinburgh] -
John Duncan RSA RSWEriskaysignedoil on board14 ¼ x 17 ¼ inches
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Samuel John PeploeIceland Poppiessignedoil on canvas22 x 18 inches
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Robert Brough RA ARSAA lady by the fireside, c. 1897-1905signedoil on canvas12 x 16 inches • 30.5 x 40.6 cm
[gallery: London] -
Jessie Marion KingAn Arran Viewsignedwatercolour and pencil8 ¼ x 10 ¼ inches
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Arts and Crafts movementPortrait of a young woman, c. 1870-1880tempera on board7 ¾ x 6 ½ inches • 19.7 x 16.5 cm
[gallery: London] -
Sir Muirhead Bone HRSA HRWSA Manhattan Excavation, 1923signed in plate; signed in pencil to margin and initialled MB (indicating a proof reserved for the artist)drypoint12 ¼ x 10 inchesone of 18 impressions in the 13th state of 19, 151 impressions in all
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Maxwell Ashby ArmfieldThree featherssigned with monogram and numbered 'OP / 253'tempera on canvas laid on board10 x 12 ⅛ inches
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Francis Campbell Boileau Cadell RSA RSWHarvest Moon - Yachts on Iona Sound, c. 1914signed; inscribed in pencil ‘Harvest Moon – Yachts in Iona Sound – No 2’ versooil on canvas14 x 17 inches • 35.6 x 43.2 cm
[gallery: Edinburgh] -
James McBeyDuncan M Macdonald, 1924signed and inscribed 'to Mrs. Macdonald from James McBey 1924'oil on canvas25 x 19 ½ inches
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James McBeyView of San Francisco, California, 1941signed in pen and inscribed 'San Francisco, Dec 1941' in pencil; pen and ink sketch versowatercolour, pen and ink12 x 19 inches
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James McBeyPunta Palmilla, Mexico, 1958signed and inscribed 'Punta Palmilla, Mexico, 17 January 1958'; inscribed 'Shipping Oxen, Punta Palmilla, Baja California, no.2' versowatercolour, pen and ink14 ¾ x 22 inches
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Gerald Leslie Brockhurst RACypriano, 1927signed in reverse in plate; signed in pencil to marginetching6 ¼ x 3 ½ inchesfrom the edition of 111
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Gerald Leslie Brockhurst RAJeunesse Dorée, 1942signed and dated 1942 in pencil to margin, printed in black ink on wove paperetching8 ½ x 10 ¼ inchesprobably from the edition of 75, although in his unpublished notes, Harold Wright lists an edition of 100
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GluckProspect Tower, Cotehele, Cornwallsigned with monogramwatercolour3 ½ x 5 ¾ inches
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Lill TschudiIn the Circus, 1932signed, numbered 18/50 USA and inscribed 'Handpoint' in pencillinocut9 ½ x 10 ¼ inchesfrom the USA edition 1950
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Keith VaughanLandscape with whistling boy, Yorkshire, 1945signed and dated 45; titled and dated on artist's label versogouache and ink on paper11 x 14 ½ inches • 28 x 36.8 cm
[gallery: London] -
Sir John Robert Steell RSAMarble bust of a young woman, 1856signed, inscribed 'Sculpt. Edin.r', dated 1856marbleheight 25 ¼ inches • height 64 cm
[gallery: Edinburgh] -
Daniel CottierAesthetic Movement Davenport, c. 1870for Cottier & Co. (maker)ebonised wood, brass pulls, raised on castors, with inlaid tooled leather writing surface, painted and gilt panels31 ½ x 27 ½ x 23 ¼ inches • 80 x 70 x 59 cm
[gallery: Edinburgh] -
Attributed to William Burges ARAWall mirror, c.1880painted and gilded wood, patinated brass, and mirrored glass29 ½ x 14 ½ x 5 inches • 75 x 36.8 x 12.7 cm
[gallery: London] -
Henry William BatleyAesthetic Movement corner cabinet, c.1880oak with painted decoration and mirrored glass panels47 ¼ x 11 ¼ x 7 inches
[gallery: London] -
Hart, Son, Peard & Co., London (attributed maker)Pair of Gothic Revival candelabra, c.1880brass set with jewelled cabochonsheight 18 ½ inches • height 47 cm
[gallery: Edinburgh] -
Thomas JeckyllKettle stand, c.1882for Robbins & Co, Dudley (maker); stamped to base with registration mark for February 1882, cast mark no. 3brass7 ½ x 7 ½ inches • 19 x 19 cm
[gallery: London] -
James Couper & Sons, Glasgow (maker)Clutha jar and stopper, c.1890green glass with opaque trailed inclusionsheight 11 ½ inches
[gallery: London] -
William de MorganArts & Crafts ruby lustre tile, c.1890glazed ceramic6 x 6 inches • 15.2 x 15.2 cm
[gallery: London] -
Charles Francis Annesley VoyseyVentilation grille/trivet, c.1892possibly manufactured by Comyn Ching & Co., Ipswich, or T. Elsley & Co.cast iron6 x 13 ½ x 8 ½ inches • 15.2 x 34.3 x 21.6 cm
[gallery: London] -
Talwin MorrisGlasgow School doorplate, c.1895brass with repoussé decoration28 ¾ x 3 ¼ inches • 73 x 8.3 cm
[gallery: Edinburgh] -
Glasgow SchoolArt Nouveau Wall Mirror, c.1900in the style of Margaret De Courcy Lewthwaite Dewar (1878-1959)pewter30 ½ x 20 ¾ inches
[gallery: Edinburgh] -
Phoebe Anna Traquair HRSAThe Life of the Virgin, 1906three plaques in enamel with foil on copper, framed back to back on a copper alloy standheight 8 ½ inches • height 21.6 cm
[gallery: London] -
Aimé-Jules DalouTerrassier, c.1910signed; conceived c.1889-1898, cast c.1910bronzeheight 5 ½ inches
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Erhard and SöhneSecessionist period box, c.1910mahogany with brass inlay and velvet lining4 ¼ x 9 ½ x 4 ½ inches
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Charles J. Noke & Harry NixonChang jar, c.1930for Royal Doulton (maker); signed 'Noke', monogrammed 'HN' and inscribed 'Chang Royal Doulton' to baseflambé glazed earthenware7 ¼ x 8 inches • 18.4 x 20.3 cm
[gallery: London]