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DOMESTIC LIFE
As the past year has pushed the domestic front and centre, Emily Walsh considers the depiction of the quotidian in Scottish Art, from Sir David Wilkie to Oscar Marzaroli
ISSUE 3
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JOHN MCLEAN
COLOUR IN THE INTERIOR
Florrie Evans explores how John McLean’s vibrant works hum and buzz with playful energy and movement, picking up from Matisse and running onwards and elsewhere.
ISSUE 3
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MODERN PRINTMAKING
WILSON & FLEMING
Jamie Mackinnon on William Wilson and Ian Fleming: two artists who heralded an invigoration of Scottish printmaking in the 1930s and 40s.
ISSUE 3
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QUEERING COUPLES
The acclaimed actor and biographer, Diana Souhami, explores some of the many extraordinary lives of the women who helped shape the history of modernism.
ISSUE 2
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COUPLES
A CONVERSATION
Independent curator and art advisor, Selina Skipwith, speaks to Nicole Farhi about the inspiration and influences for her current show, Couples, held at our London gallery.
ISSUE 2
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JOHN McLEAN
ARTIST IN FOCUS
John McLean in profile. Ahead of our New Year exhibition on the Scottish abstract artist, we are delighted to announce representation of John McLean's estate.
ISSUE 2
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E A WALTON
A FRAME OF 'RADICAL SIMPLICITY'
What goes into framing a painting? We take a closer look at the importance of the reframing process.
ISSUE 2
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THE BEST SHOP RETURNS
As The Fine Art Society reopens its doors on London's Carnaby Street, Rowena Morgan-Cox looks back at the historical web of artists and artworks that tie our past to our future.
ISSUE 1
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AGNES MILLER PARKER
artist in focus
Agnes Miller Parker: a female anomaly of her time. Emily Walsh explores how this independent thinker was unafraid to reject societal norms and conventions of womanhood.
ISSUE 1
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ERIC VERRICO
the most beautiful of johnny's circus
He was the most beautiful of Johnny's Circus. But just who was Eric Verrico? We take a deeper look at the enigmatic sitter and his relationship with the prolific bohemian artist.
ISSUE 1
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PLYWOOD
the unlikely modern icon
Plywood is the most unexpected of materials to work its way into the common vocabulary of Modernist British design. We take a better look at this most unlikely modern icon.
ISSUE 1
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