History of the New
Our summer show brings together artists who found themselves working at the threshold of the modern. It was this self-awareness and urge to make it new that motivated them as individuals and, for some, brought them into movements. They rejected the received wisdom of their day in favour of forging new ways of making art. They saw the world around them differently and made their mark telling us how.
Amongst the myriad paintings and objects that will be on display in our two galleries in Edinburgh and London this summer are works from the 19th and 20th centuries; British and Scottish artists who worked as pioneers and whose work came to define a moment.
We are delighted to be participating in Portrait Mode, a nationwide celebration marking the reopening of the National Portrait Gallery, London, this June. Portraiture is quite unlike other genres. The best of it admits us a view on a character for better or worse, a person who has played a decisive part in history, a society we don’t know or understand. All this quite apart from the sensory pleasure of the object itself. If you can, please visit us, and see these wonderful objects in person. We look forward to welcoming you.
This exhibition runs across our Edinburgh and London galleries, with the location of each work listed in their details below.
We have produced a Viewing Room for this exhibition, available here.
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Peter de FranciaTunisian Beach, 1967/1989titled and dated on label versooil on canvas76 x 64 inches • 193 x 162.6 cm
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Alberto Morrocco OBE RSA RSWBagni Miramare III, 1987signed and dated 87; inscribed 'right hand panel' on board versooil on panel60 x 60 inches • 152.5 x 152.5 cm
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John Byrne RSABoy with a blackbird, c. 1968-69signed 'Patrick'oil on board12 ½ x 14 inches • 31.8 x 35.6 cm
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Graham Sutherland OM, Path through a Field, Wye Valley, 1953
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Ian Fleming RSA RSWMr Norrie, gardener at Hospitalfield, 1948-1954oil on canvasboard24 x 18 inches • 61 x 45.7 cm
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Keith VaughanLandscape with whistling boy, Yorkshire, 1945signed and dated 45; titled and dated on artist's label versogouache and ink on paper28 x 37 cm • 11 x 14 ½ inches
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Iain MacnabSouthern Landscape, 1933signed, titled and numbered 52/75 in pencil to marginwood engravingedition of 7520 x 25 cm • 8 x 9 ¾ inches
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Charles J. Noke & Harry NixonChang jar, c.1930for Royal Doulton (maker); signed 'Noke', monogrammed 'HN' and inscribed 'Chang Royal Doulton' to baseflambé glazed earthenware19 x 21 cm • 7 ½ x 8 ¼ inches
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Stansmore Dean StevensonPortrait of a woman, c. 1928-1930signed 'Stansmore Stevenson'oil on canvasboard6 x 4 ½ inches • 15.2 x 11.4 cm
[gallery: Edinburgh] -
Charles Rennie MackintoshPalalda, Pyrénées-Orientales, c. 1924-1927signedpencil and watercolour on paper52 x 52 cm • 20 ½ x 20 ½ inches
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Paul NashThe Tide, Dymchurch, 1920signed, titled, dated and inscribed 'To Christine Bradhurst for her wedding from Paul Nash' in pencil to marginlithographedition of 3031 x 42 cm • 12 ¼ x 16 ½ inches
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Christopher Richard Wynne Nevinson ARAThe Street Acrobat, 1919signed and dated 1919chalk and pastel on paper62.2 x 48.3 cm • 24 ½ x 19 inches
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Sir David Young Cameron RA RSA HRSW REBen Vair, 1916signed; signed and titled on artist's label versooil on canvas15 ½ x 23 ½ inches • 39.5 x 60 cm
[gallery: Edinburgh] -
Francis Campbell Boileau Cadell RSA RSWHarvest Moon - Yachts on Iona Sound, c. 1914signed; inscribed in pencil ‘Harvest Moon – Yachts in Iona Sound – No 2’ versooil on canvas14 x 17 inches • 35.6 x 43.2 cm
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William McTaggart RSA RSWGlenramskill, 1908oil on canvas38 ¾ x 58 inches • 98.4 x 147.3 cm
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Phoebe Anna Traquair HRSAThe Life of the Virgin, 1906three plaques in enamel with foil on copper, framed back to back on a copper alloy standheight 8 ½ inches • height 21.6 cm
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Sir John Lavery RA RSAA Lady in Grey and Black, 1901signed; signed and titled on artist's labels versooil on canvas71 x 63 cm • 28 x 24 ¾ inches
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Robert Brough RA ARSAA lady by the fireside, c. 1897-1905signedoil on canvas12 x 16 inches • 30.5 x 40.6 cm
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William Page Atkinson Wells RBAIn the meadowsignedoil on canvas25 x 30 inches • 63.5 x 76.2 cm
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Joseph Crawhall RSWIn The Paddock, c.1894-1900signedgouache on linen11 ¼ x 15 inches • 28.6 x 38 cm
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Talwin MorrisGlasgow School doorplate, c.1895brass with repoussé decoration28 ¾ x 3 ¼ inches • 73 x 8.3 cm
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William de MorganArts & Crafts ruby lustre tile, c.1890glazed ceramic6 x 6 inches • 15.2 x 15.2 cm
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George Henry RA RSA RSWThe Red Scarf, 1888signed and dated 1888watercolour and bodycolour16 ¼ x 13 inches • 41.3 x 33 cm
[gallery: Edinburgh] -
William McTaggart RSA RSWBreaking Waves, c. 1886signed; titled on original framer label versooil on canvas26 ½ x 38 ½ inches • 67.3 x 97.8 cm
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Arthur Melville ARSA RSWWinter, Duddingston Loch, c.1885signedwatercolour20 x 26 inches • 50.8 x 66 cm
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Thomas JeckyllKettle stand, c.1882for Robbins & Co, Dudley (maker); stamped to base with registration mark for February 1882, cast mark no. 3brass7 ½ x 7 ½ inches • 19 x 19 cm
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Hart, Son, Peard & Co., London (attributed maker)Pair of Gothic Revival candelabra, c.1880brass set with jewelled cabochonsheight 18 ½ inches • height 47 cm
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Attr. Alfred Waterhouse RAAesthetic Movement corner cabinet, c.1880for Henry Capel London (attr. maker); inscribed 'Summer' and 'Autumn' on panelswalnut, with gilt embellishment, polychrome painted panels and incised decoration83 ½ x 21 x 21 inches • 212 x 53.3 x 53.3 cm
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Lamb of ManchesterAesthetic Movement Sofa, c.1880ebonised wood with original Christopher Dresser butterfly design upholstery31 ½ x 54 x 22 inches • 80 x 137.2 x 56 cm
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Charles Francis Annesley VoyseyVentilation grille/trivet, c.1892possibly manufactured by Comyn Ching & Co., Ipswich, or T. Elsley & Co.cast iron6 x 13 ½ x 8 ½ inches • 15.2 x 34.3 x 21.6 cm
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Arts and Crafts movementPortrait of a young woman, c. 1870-1880tempera on board7 ¾ x 6 ½ inches • 19.7 x 16.5 cm
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Attributed to William Burges ARAWall mirror, c.1880painted and gilded wood, patinated brass, and mirrored glass29 ½ x 14 ½ x 5 inches • 75 x 36.8 x 12.7 cm
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Robert Herdman RSA RSWPortrait of Thomas Carlyle (1795-1881), 1875monogrammed and inscribed 'Chelsea 22 ap. [April] 1875'pencil, charcoal and red chalk heightened with white on buff paper13 ½ x 9 ½ inches • 34.3 x 24 cm
[gallery: London] -
Daniel CottierAesthetic Movement Davenport, c. 1870for Cottier & Co. (maker)ebonised wood, brass pulls, raised on castors, with inlaid tooled leather writing surface, painted and gilt panels31 ½ x 27 ½ x 23 ¼ inches • 80 x 70 x 59 cm
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Thomas Alexander Ferguson GrahamPassion Flowers, c. 1864signed; signed and titled on artist's label versooil on canvas17 ¼ x 17 inches • 43.8 x 43.2 cm
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Sir John Robert Steell RSAMarble bust of a young woman, 1856signed, inscribed 'Sculpt. Edin.r', dated 1856marbleheight 25 ¼ inches • height 64 cm
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Alexander Nasmyth HRSAFalls of Clyde, c. 1790oil on canvas18 ¾ x 25 ¼ inches • 47.6 x 64 cm
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Jan van Kessel the ElderExotic Birds in flight and perched on branches in a mountainous landscape, 1677signed and dated 1677oil on canvas16 x 26 inches • 40.6 x 66 cm
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Waistel CooperGoblet form vase, 1950swith vertical sgraffito lines on a cream and black surface
signed 'Waistel' to the base
Merryfield, Porlockstoneware18 x 8 cm -
Waistel CooperGoblet form vase, 1950swith vertical sgraffito lines on a cream and black surface
signed 'Waistel' to the base
Merryfield, Porlockstoneware18 x 8.5 x 8.5 cm -
Waistel CooperElongated baluster jug, 1950swith vertical sgraffito lines on a rust surface, and an oatmeal satin-glazed interior
signed ‘Waistel’ to the base
Merryfield, Porlockstoneware20 x 13 cm • 7 ¾ x 5 inches -
Waistel CooperSmall jug, 1950swith vertical sgraffito lines on a dark rust surface
signed 'Waistel' to the base
Merryfield, Porlockstoneware16 x 9.5 cm -
Waistel CooperClam vase, 1950swith vertical sgraffito lines on a rust surface, and an oatmeal satin-glazed interior
signed 'Waistel' to the base
Merryfield, Porlock or Culbone
stoneware13 x 21 x 10 cm • height 5 x 8 ¼ x 4 inches -
Waistel CooperPear drop vase, early 1950swith fine vertical sgraffito lines on a smooth rust surface
signed 'Waistel' to the base
Merryfield, Porlockstoneware15 x 14 cm • 6 x 5 ½ inches -
Waistel CooperFooted tea bowl, 1950sdecorated with vertical sgraffito lines on an oatmeal and rust surface, and a speckled oatmeal satin-glazed interior
signed ‘Waistel’ to the base
Merryfield, Porlockstoneware7 x 12 cm -
Waistel CooperCoffee cup and saucer, 1950sdecorated with vertical sgraffito lines on a rust surface, and an oatmeal satin-glazed interior
signed ‘W.’ to the base
Merryfield, Porlockstoneware8.5 x 13 cm • 3 ¼ x 5 inches -
Waistel CooperSmall jug with stopper, 1950swith vertical sgrafitto lines on a smooth rust surface, and an oatmeal glazed interior
signed 'Waistel' to the base
Merryfield, Porlockstoneware11.5 x 8 cm • 4 ½ x 3 ¼ inches -
John Byrne RSARed Sails in the Sunset, 2016signedoil on panel24 x 48 inches (61 x 122 cm)
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Will Maclean RSANightmare for a Herring (II), 1974-87signed, titled and dated verso; signed, titled and dated on artist's label versopainted and carved wood17 ¼ x 8 ¾ x 2 ½ inches
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Victoria Crowe OBE RSA RSWSunlit Curtains, c.1985signed; titled on label versoacrylic and watercolour on paper16 x 19 ½ inches
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Ian Fleming RSA RSWGlasgow Tenement Window, 1978/90signed; signed, titled and dated 1978/90 on board versooil on board34 x 26 inches
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Frances Walker RSAThe Lighthousesignedmixed media on paper21 ¼ x 14 ½ inches
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Ian Fleming RSA RSWPortrait of a student, 1940signed and dated 1940oil on canvas40 x 30 inches
[gallery: Edinburgh] -
Scottie WilsonUntitledsignedpencil, pen and coloured ink on paper20 x 25 inches
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English SchoolModernist armchair, c.1920painted oak21 x 28 ½ x 29 ½ inches
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Edward Arthur Walton RSA PRSWFigures on a bridge, Suffolkwatercolour and gouache on buff paper20 x 27 ½ inches
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Edward Arthur Walton RSA PRSWCorfe Castlewatercolour and gouache on buff paper22 x 26 ½ inches
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Glasgow SchoolArt Nouveau Wall Mirror, c.1900in the style of Margaret De Courcy Lewthwaite Dewar (1878-1959)pewter30 ½ x 20 ¾ inches
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James Couper & Sons, Glasgow (maker)Clutha jar and stopper, c.1890green glass with opaque trailed inclusionsheight 11 ½ inches
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Liberty & Co.Pair of Glasgow School Abingwood armchairs, c. 1896in the style of George Walton for Liberty & Co.oak33 x 23 x 27 ¼ inches
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Alexander MannTangiers, 1892signed and dated 1892watercolour30 x 21 inches
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Henry William BatleyAesthetic Movement corner cabinet, c.1880oak with painted decoration and mirrored glass panels47 ¼ x 11 ¼ x 7 inches
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Walter GreavesOld Chelsea, the Last Regatta, c.1871signed in plate; signed, inscribed 'Old Chelsea’s Last Regatta by Walter Greaves 525 Fulham Road, Walham Green' to marginoil and gouache over etching on paper10 ¼ x 21 ¾ inches
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James Stuart ParkSlipper Orchidsignedoil on canvas15 x 12 inches
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James CassieA Dream of Arran, Kames Bay, 1868signed and dated 1868; titled on label versooil on canvas20 x 35 inches
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Horatio McCulloch RSALochside view in The Trossachsoil on canvas32 x 53 inches
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Alexander Nasmyth HRSATwilight, Edinburgh, 1815inscribed 'Twilight beautiful cool purple [...image?] on the hill on the sky and valley Edinburgh June 15' in pen to marginpen, pencil and wash4 ½ x 7 ¾ inches