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Scottish
Pre-19th century
19th century
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Design

Norman McBeath
Perdendosi IX, 2021
signed and marked 'A/P 2' in pencil to margin
archival digital print
24 x 16 cm
sheet size: 42 x 29.7 cm
James McBey
Johnshaven, 1929
signed and inscribed 'Johnshaven, to Martin Hardie, 25 July 1929'
watercolour, pen and ink
9 1/2 x 15 inches
James McBey
Broadstairs, 1919
signed and inscribed 'Broadstairs September 1919'
watercolour, pen and ink
8 1/4 x 13 inches
James McBey
Portrait of Duncan M Macdonald, 1924
signed and inscribed 'to Mrs. Macdonald from James McBey 1924
oil on canvas
25 x 19 1/2 inches
James McBey
East River, Sunset, 1934
signed, inscribed 'New York' and dated March 1930 in plate; signed and numbered LXIV in pen to margin; inscribed '80 proofs East River, Sunset' in pencil to sheet
etching
8 1/8 x 13 7/8 inches
Sheet: 11 1/8 x 17 1/4 inches
from the published edition of 80 proofs
James McBey
The Bridge by Night, 1926
signed, inscribed 'Venice' and dated October 1925 in plate; signed and numbered II in pen to margin; inscribed 'H. 232' in pencil to sheet
etching
9 1/4 x 5 7/8 inches
Sheet: 11 1/4 x 7 1/4 inches
from the published edition of 80 proofs
James McBey
Gale at Port Errol, 1923
signed and numbered 'Trial IV' in pen to margin; inscribed 'M.H. 215. Gale at Port Errol', 'Trial IV = III' and signed Martin Hardie in pencil to sheet
etching
13 x 8 3/4 inches
Sheet: 15 3/8 x 10 3/4 inches
4th trial proof (of 8) preceding published edition of 76 proofs
James McBey
A Tartane Leaving Venice, 1928
VII, signed and inscribed 'Venice 12 October 1925' in plate; signed in pen; signed and titled by Martin Hardie in pencil to sheet
etching
6 3/8 x 12 1/4 inches
Sheet: 9 3/8 x 14 5/8 inches
from the published edition of 80 proofs
William McCance
Seated nude, 1926
signed and dated 1926
pencil and pastel on buff paper
19 x 14 1/2 inches
Horatio McCulloch RSA
Norham
signed
watercolour
6 3/4 x 9 3/4 inches
James McIntosh Patrick OBE RSA
Glencoe, 1928
signed and dated 28 in plate; signed and numbered 40/75 in pencil to margin
etching
6 3/4 x 9 3/4 inches
edition of 75
James McIntosh Patrick OBE RSA
Loch Lomond, 1928
signed and dated 1928 in plate, signed and numbered 17/75 in pencil to margin
etching
4 1/2 x 8 1/4 inches
edition of 75
James McIntosh Patrick OBE RSA
Powrie Castle
signed and inscribed 'Trial Proof'
etching
5 x 6 1/2 inches
John McLean
Isthmus, 1981
initialled; signed, titled and dated on backboard
watercolour and oil pastel on paper
13 x 16 cm
John McLean
Mannakin, 1979
initialled; signed, titled and dated on backboard
gouache and oil pastel on paper
23.5 x 15 cm
John McLean
Commovente, 1977
initialled; signed and titled on backboard
watercolour and oil pastel on paper
14 x 20.5 cm
John McLean
Howe of Fife, 1973
signed, titled and dated 1973 verso
acrylic on canvas
11 3/4 x 24 inches
Talbert McLean
Blue Veil
signed and inscribed with title verso
oil on canvas
23 x 15 1/2 inches
Arthur Melville ARSA RSW
Mosul at Dawn
signed
watercolour
12 1/4 x 18 1/4 inches
Alberto Morrocco OBE RSA RSW
Still Life with Melon, c.1968
signed and inscribed with title on label verso
wood relief and gesso paint on board
36 1/2 x 36 inches
Alberto Morrocco OBE RSA RSW
Bagni Miramare III, 1987
signed and dated 87; inscribed 'right hand panel' on board verso
oil on panel
60 x 60 inches (right panel of a triptych)
William Mouncey
Autumn Landscape
signed; signed and inscribed with title on stretcher verso
oil on canvas
16 x 24 inches
Keith Murray
Vase, c.1936
acid-etched signature to underside of base; Stevens & Williams Ltd. (producer)
Purple and clear cased glass with controlled bubble decoration, raised on a clear glass foot
height 7 1/2 inches
Keith Murray
Vase, Model no. 1147a, c.1936
Stevens & Williams Ltd. (producer)
Purple and clear cased glass with controlled bubble decoration

height 8 inches
Paul Nash
The Tide, Dymchurch, 1920
signed, titled, dated and inscribed 'To Christine Bradhurst for her wedding from Paul Nash' in pencil to margin
lithograph
12 1/4 x 16 1/2 inches
edition of 30
Patrick Nasmyth
Tintern Abbey, 1827
signed and dated 1827 on panel verso; inscribed on label verso “This picture landscape / with Tintern Abbey in the distance / was bought from Peter Nasmyth by John Hampa and sold by / him to Lord Murray for 30 guineas / and was bought by me after / Lord Murray's death for / John Burt Esq. M.D. / D Bruce”; inscribed on panel verso “No 24 / P... Nasmyth / Lon... / 1827”
oil on panel
7 1/4 x 9 3/4 inches
Hylton Nel
Bush of Birds bowls, 2020
signed with initials and dated '2020-10-20'
glazed ceramic stoneware
11 x 26.5 cm each
7 available
Hylton Nel
"I shake my robe and mists disperse" dish, 2003
signed and dated '3.10.03'
glazed ceramic earthenware
20 cm diameter
Hylton Nel
Blue Bird' dish (1), 2003
signed and dated '26.6.03'
glazed ceramic earthenware
20 cm diameter
Hylton Nel
Naked Man and Snake' dish (1), 1999
signed and dated '12.1.99'
glazed ceramic earthenware
23 cm diameter
Hylton Nel
Cat in the Garden' dish (1), 2010
signed and dated '25.1.10'
glazed ceramic earthenware
27 cm diameter
Charles Oppenheimer RSA RSW
Winter, 1909
signed and dated 1909
watercolour
19 3/4 x 13 1/2 inches
Sir William Quiller Orchardson RA
Study of the Christ Child
oil and pencil on canvas
7 1/2 x 14 1/4 inches
Sir Eduardo Paolozzi CBE RA
An Empire of Silly Statistics...A Fake War for Public Relations, 1965-1970
signed and numbered 22/350; stamped with title, number, portfolio name, printer’s and publisher’s chops verso
photo-lithograph
10 x 15 inches
published edition of 350
Sir Eduardo Paolozzi CBE RA
Totems and Taboos of the Nine to Five Day, 1965-1970
signed and numbered 22/350; stamped with title, number, portfolio name, printer’s and publisher’s chops verso
photo-lithograph
10 x 15 inches
published edition of 350
Sir Eduardo Paolozzi CBE RA
Jesus colour by numbers, 1965-1970
signed and numbered 22/350; stamped with title, number, portfolio name, printer’s and publisher’s chops verso
photo-lithograph
15 x 10 inches
published edition of 350
Sir Eduardo Paolozzi CBE RA
Homage to Picasso, 1973
signed and inscribed 'A Propyläen Verlag Berlin E/A' (épreuve d'artiste) in pencil to margin
lithograph
27 1/8 x 18 1/8 inches
sheet: 30 1/2 x 22 inches
Sir Eduardo Paolozzi CBE RA
Inside Down Under...What are the building blocks of structuralism?, 1965-1970
signed and numbered 317/350; stamped with title, number, portfolio name, printer’s and publisher’s chops verso
photo-lithograph
15 x 10 inches
published edition of 350
Agnes Miller Parker
Aesop's Fables II, 1931
numbered II/21/28 in pencil to margin
woodcut
3 x 5 inches
Waller Hugh Paton RSA RSW
A Moonlit Moor, 1864
signed and dated 1864
watercolour heightened with white
10 x 15 1/2 inches
Waller Hugh Paton RSA RSW
The Last of the Smuggler, 1868
signed and dated 1868
watercolour on paper
3 3/4 x 8 inches
Sir George Pirie PRSA HRSW
A Khaki Campbell Duck
signed
oil on canvas
29 1/2 x 19 3/4 inches
Sir Henry Raeburn RA
A Study for the portrait of Professor Adam Ferguson (1723-1816)
oil on millboard
10 3/4 x 8 3/4 inches
Allan Ramsay
Portrait of Ruth Trevor (1712-1784)
oil on canvas
30 x 25 inches
William Ratcliffe
Farm in Sweden, 1913
signed
ink, crayon and watercolour on card
11 3/4 x 15 inches
William Ratcliffe
Landscape, c.1912
signed
pencil, pen and ink and watercolour
13 3/4 x 18 3/4 inches
David Roberts RA
Interior of Rosslyn Chapel, 1844
signed and dated 1844
oil on canvas
44 x 34 inches
Leonard Rosoman OBE RA
Still life, c.1950
signed
gouache
11 3/4 x 8 1/2 inches
William McTaggart RSA RSW
Old Cottage at Fairlie, 1863-92
signed and dated 'W. McTaggart 63-92'
oil on canvas
22 1/2 x 28 1/4 inches
Ron Sandford
Street seller, Yung Shue Wan, Lamma Island
signed and stamped with artist's seal
mixed media on paper
29 x 23 inches
Ron Sandford
St. Olaf Cullivoe or 'To Work is to Pray'
stamped with artist's seal
mixed media on canvas
31 1/2 x 39 3/8 inches
Ron Sandford
O Tsai (Little Dock) II, night, Yung Shue Wan, Lamma Island, 1995
signed and dated 95, stamped with artist's seal
mixed media on paper
28 x 39 1/2 inches
Ron Sandford
In a 'boatie hoose' II, Mid Yell Voe
stamped with artist's seal
mixed media on paper
27 3/4 x 28 inches
Ron Sandford
Mousa Broch V
stamped with artist's seal
watercolour, pencil and ink
22 1/2 x 28 5/8 inches
Ron Sandford
Abandoned Junk Yard, Little Hong Kong
stamped with artist's seal
mixed media on paper
40 x 35 1/2 inches
Alick Riddell Sturrock RSA
Challow Farm, Dorset
signed
oil on canvas
25 x 30 inches
Alick Riddell Sturrock RSA
Wooded landscape
signed
oil on canvasboard
12 x 16 inches
Gerald Summers
Dinner Wagon, 1935
Makers of Simple Furniture (manufacturer)
1935-1939 (manufactured)

birch plywood

26 x 16 x 28 inches
Nicola Tassie
Trailing - Black on Blue, 2021
earthenware slip pillow
8 1/4 x 9 1/8 in
21 x 23 cm
Rev. John Thomson of Duddingston HRSA
Innerwick Castle, c.1826
oil on canvas
36 1/2 x 54 3/4 inches
Charles Frederick Tunnicliffe RA
The Thief, 1928
monogrammed and dated 28 in plate; signed and numbered 51/75 in pencil to margin
etching
6 x 9 inches
edition of 75
William Peters Vannet MBE FRSA
No. 2 Dishlandtown Street, 1949
signed in pencil to margin, titled on artist's label on backboard
etching
7 x 9 3/4 inches
Imants Vecozols
Still Life with Black Bottle, 1992
signed and dated 'Vecozols 92', titled 'Klusā daba ar melno pudeli' on label verso
oil on board
19 1/2 x 27 1/4 inches
Charles Francis Annesley Voysey
Design for Tomkinsons Carpets: Trees and Hills , c.1890s
signed; stamped 'Tomkinsons Carpets Ltd 000012' and inscribed 23/1597 verso
watercolour
18 x 15 inches
Charles Francis Annesley Voysey
Design for Tomkinsons Carpets: Robin and Holly, 1901
stamped 'Tomkinsons Carpets Ltd v000078'; signed 'CFA Voysey, Architect' and dated 'April 29 1901' verso
watercolour
11 x 10 1/2 inches
Cecile Walton
Cover for 'Lycophron and Lyrics'
signed and inscribed with title 'Lycrophon [sic] and Lyrics by Lilian M. Worthington' in pencil
pencil, pen and ink
12 1/4 x 18 1/2 inches
Edward Arthur Walton RSA PRSW
November, 1883
signed and dated 'E. A. Walton 83.'; signed and inscribed 'November by E. A. Walton 134 Bath St Glasgow' on canvas verso
oil on canvas
42 1/4 x 60 inches
Edward Arthur Walton RSA PRSW
The Field Loning, c.1903
signed
oil on canvas
31 x 39 1/2 inches
Anthony Whishaw RA
Life Class, 1968
Oil on board
20 x 45.5 cm
Anthony Whishaw RA
White Interior Opened, 1968
Oil on board
92 x 168 cm
James McNeill Whistler
Venus, 1859
etching and drypoint
6 x 9 inches
an impression in the second (final) state; no published edition
James McNeill Whistler
The Little Lagoon, 1879-1880
signed in pencil with a butterfly and inscribed 'imp'
etching and drypoint
9 x 6 inches
an impression in the fourth (final) state; edition of 100
James McNeill Whistler
Penny Passengers, Limehouse, 1860
signed in pencil with the butterfly and inscribed 'imp'
etching and drypoint
3 1/4 x 8 1/8 inches
an impression in the second (final) state, one of only six recorded
James McNeill Whistler
Nocturne, 1879-80
signed in pencil with a butterfly and inscribed 'imp'
etching
7 3/4 x 11 1/2 inches
an impression in the fifth (final) state: published in 'Twelve Etchings' the First Venice Set (No.4), 1880 in an edition of 100
Sir David Wilkie RA HRSA
Farmyard Scene, 1815
signed and dated 1815 on panel verso
oil on panel
5 x 8 3/4 inches
Sir David Wilkie RA HRSA
Holyrood House, 1822
signed and inscribed 'D Wilkie Holyrood House 1822'
pencil
5 x 6 3/4 inches
Sir David Wilkie RA HRSA
Young Girl with a Dog, 1829
inscribed 'D Wilkie January 19th 1829'
pencil and watercolour with ink on paper
8 x 6 3/4 inches
Andrew Wilson
An aqueduct in Savoy from Chamonix Road
oil on panel
11 3/4 x 15 inches
William Wilson RSA RSW
Ronda, 1933
signed and dated 1933 in pencil to margin
etching
13 x 17 1/2 inches
William Wilson RSA RSW
St Martin's Bridge, Toledo, 1933
signed and inscribed 'Imp HK.'
etching
13 3/4 x 16 1/2 inches

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