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19th century

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  • Joseph Denovan Adam RSA RSW, Evening, Strathspey (or The Glory of the Dying Day), c. 1891
    Joseph Denovan Adam RSA RSW
    Evening, Strathspey (or The Glory of the Dying Day), c. 1891
    signed
    watercolour
    19 1/4 x 29 1/4 inches
  • Patrick William Adam RSA, Interior of Hall, Berkeley Square
    Patrick William Adam RSA
    Interior of Hall, Berkeley Square
    signed; signed and titled on label verso
    pastel
    19 1/2 x 14 1/2 inches
  • Edwin Alexander RSA RSW, Bramble and purple vetch
    Edwin Alexander RSA RSW
    Bramble and purple vetch
    signed with monogram
    pencil and watercolour heightened with bodycolour on oatmeal paper
    12 1/2 x 7 inches
  • William Arthur Smith Benson, Extending Standard Lamp, c. 1900
    William Arthur Smith Benson
    Extending Standard Lamp, c. 1900
    Brass and copper
    height 66 7/8 in (extended)
    height 170 cm (extended)
  • Robert Polhill Bevan, Breton Peasants , 1891-1894
    Robert Polhill Bevan
    Breton Peasants , 1891-1894
    signed in crayon with monogram, RPB, lower left, and with the artist's monogram stamp, RPB, verso
    Drawing in black crayon on Ingres paper
    10 x 14 inches (25 x 35 cm);
    Sheet 12 7/8 x 19 1/2 inches (32.7 x 49.7 cm)
  • Robert Polhill Bevan, Woman with Cows, Brittany, 1891-1894
    Robert Polhill Bevan
    Woman with Cows, Brittany, 1891-1894
    artist's monogram stamp, RPB, verso, lower left, and a sketch of a horse, verso
    Drawing in black crayon on Ingres paper
    8 x 12 1/2 inches (20.3 x 31.8 cm);
    Sheet 9 7/8 x 13 5/8 inches (25 x 34.7 cm)
  • Sam Bough RSA RSW, Winton House, 1872
    Sam Bough RSA RSW
    Winton House, 1872
    signed and dated 1872
    oil on canvas
    38 x 48 inches
  • Sam Bough RSA RSW, Ebb Tide, Dysart, 1858
    Sam Bough RSA RSW
    Ebb Tide, Dysart, 1858
    signed and dated 1858
    oil on board
    13 x 22 inches
  • John Crawford Brown ARSA, The Mill
    John Crawford Brown ARSA
    The Mill
    signed on board verso
    oil on board
    11 x 15 inches
  • Robert Burns ARSA, A quiet estuary at dusk
    Robert Burns ARSA
    A quiet estuary at dusk
    signed
    oil on canvas
    29 x 44 inches
  • Alexander Carse, The Travelling Clothier, 1812
    Alexander Carse
    The Travelling Clothier, 1812
    initialled and dated 'A.C. 1812'
    oil on canvas
    23 x 30 inches
  • William Clark of Greenock, Yachts off the coast
    William Clark of Greenock
    Yachts off the coast
    indistinctly inscribed; artist's label verso reads: 'W. Clarke / Marine Painter / D. Cross Shore Street / Greenock.'
    oil on canvas
    13 x 19 inches
  • Christopher Dresser, Sake bottle , 1880
    Christopher Dresser
    Sake bottle , 1880
    For Linthorpe Art Pottery
    impressed maker's marks LINTHORPE/ HT (Henry Tooth) and indistinct impressed facsimile signature
    glazed earthenware
    8 1/4 x 3 1/2 in
    21 x 9 cm
  • Thomas Faed ARSA RA, From dawn to sunset, first thoughts
    Thomas Faed ARSA RA
    From dawn to sunset, first thoughts
    signed; inscribed by the artist on label verso: 'From dawn to sunset - first thoughts'
    watercolour
    3 1/2 x 5 3/4 inches
  • Alexander Fraser Jnr RSA RSW, Ben Venue
    Alexander Fraser Jnr RSA RSW
    Ben Venue
    signed
    oil on canvas
    30 x 40 inches
  • Walter Geikie RSA, The Origin of Painting
    Walter Geikie RSA
    The Origin of Painting
    signed in plate
    etching
    8 1/4 x 6 inches
  • Walter Geikie RSA, A musical souter
    Walter Geikie RSA
    A musical souter
    signed and titled in plate
    etching
    7 1/2 x 5 1/4 inches
  • Walter Geikie RSA, Fishwives
    Walter Geikie RSA
    Fishwives
    signed in plate
    etching
    3 1/2 x 5 inches
  • Walter Geikie RSA, Cobler & Customer
    Walter Geikie RSA
    Cobler & Customer
    signed and titled in plate
    etching
    6 3/4 x 5 1/4 inches
  • Walter Geikie RSA, He's just gotten plenty for ae day
    Walter Geikie RSA
    He's just gotten plenty for ae day
    signed in plate
    etching
    5 1/4 x 4 1/8 inches
  • William Glover, The Clyde, 1867
    William Glover
    The Clyde, 1867
    signed and dated '67; signed and inscribed with title on artist's label verso
    oil on board
    9 x 21 inches
  • Sir John Watson Gordon RA PRSA, Portrait of a Lady, 1825
    Sir John Watson Gordon RA PRSA
    Portrait of a Lady, 1825
    signed and dated 1825
    oil on canvas
    30 x 25 inches
  • Sir James Guthrie HRA PRSA HRSW, Boy with a straw, 1886
    Sir James Guthrie HRA PRSA HRSW
    Boy with a straw, 1886
    signed and dated '86
    oil on canvas
    16 1/4 x 12 inches
  • Sir James Guthrie HRA PRSA HRSW, Cambuskenneth Ferry, 1888
    Sir James Guthrie HRA PRSA HRSW
    Cambuskenneth Ferry, 1888
    signed
    pastel on paper
    10 x 17 1/2 inches
  • Sir George Harvey PRSA, Auld Lang Syne II, 1856
    Sir George Harvey PRSA
    Auld Lang Syne II, 1856
    signed and dated 1856
    oil on canvas
    23 x 30 inches
  • Robert Herdman RSA RSW, Portrait of Thomas Carlyle (1795-1881), 1875
    Robert Herdman RSA RSW
    Portrait of Thomas Carlyle (1795-1881), 1875
    monogrammed and inscribed 'Chelsea 22 ap. [April] 1875'
    pencil, charcoal and red chalk heightened with white on buff paper
    13 1/2 x 9 1/2 inches
  • Robert Herdman RSA RSW, Head of a girl, 1876
    Robert Herdman RSA RSW
    Head of a girl, 1876
    monogrammed and dated 1876
    oil on board
    8 1/2 x 8 1/2 inches
  • James Howe, Horse tethered in a stable
    James Howe
    Horse tethered in a stable
    signed 'How'
    pen and ink
    10 1/2 x 16 inches
  • William Kidd HRSA, An alehouse altercation
    William Kidd HRSA
    An alehouse altercation
    signed
    oil on panel
    14 1/4 x 19 inches
  • William Kidd HRSA, The Toast
    William Kidd HRSA
    The Toast
    oil on canvas
    10 1/2 x 8 3/4 inches
  • William Hunt, Fingal's Cave, on the Isle of Staffa, Scotland
    William Hunt
    Fingal's Cave, on the Isle of Staffa, Scotland
    signed and titled in pencil to margin, inscribed upper right 'Island of Staffa. Fingal's Cave. / W. Hebrides / Scotland. / near the Isle of Mull.'; inscribed 'sketched by my great uncle Capt Wm Hunt RN' verso
    pen, ink and watercolour
    16 x 11 3/4 inches
  • Alexander Johnston, A Stolen Glance
    Alexander Johnston
    A Stolen Glance
    signed
    oil on canvas
    30 1/4 x 25 inches
  • John Knox, A mountainous landscape
    John Knox
    A mountainous landscape
    oil on canvas
    20 1/2 x 30 1/2 inches
  • John Knox, Mountains and wooden bridge in the Trossachs
    John Knox
    Mountains and wooden bridge in the Trossachs
    oil on canvas
    25 1/4 x 35 1/4 inches
  • William Leighton Leitch, Deeside near Balmoral, Aberdeenshire - Showery Day, 1864
    William Leighton Leitch
    Deeside near Balmoral, Aberdeenshire - Showery Day, 1864
    signed and dated 1864, signed and inscribed with title on label verso
    watercolour
    23 x 34 inches
  • Leon Augustin Lhermitte, Bourges, Une Rue, c.1885
    Leon Augustin Lhermitte
    Bourges, Une Rue, c.1885
    signed L . Lhermitte lower left
    Pastel on buff paper
    12 x 9 in
    30.5 x 22.9 cm
  • Leon Augustin Lhermitte, Une rue a Bourges, c.1885
    Leon Augustin Lhermitte
    Une rue a Bourges, c.1885
    Signed L Lh, lower left
    Pastel on buff paper
    12 x 9 in
    30.5 x 22.9 cm
  • H.F.L.M., The Mound looking toward Calton Hill, 1835
    H.F.L.M.
    The Mound looking toward Calton Hill, 1835
    monogrammed 'H.F.L.M.' and dated 1835
    pen and sepia
    6 3/4 x 9 1/4 inches
  • Harrington Mann, The Brook, 1892
    Harrington Mann
    The Brook, 1892
    signed and dated 1892
    oil on canvas
    15 x 13 inches
  • Horatio McCulloch RSA, Norham
    Horatio McCulloch RSA
    Norham
    signed
    watercolour
    6 3/4 x 9 3/4 inches
  • Arthur Melville ARSA RSW, Mosul at Dawn
    Arthur Melville ARSA RSW
    Mosul at Dawn
    signed
    watercolour
    12 1/4 x 18 1/4 inches
  • William Mouncey, Autumn Landscape
    William Mouncey
    Autumn Landscape
    signed; signed and inscribed with title on stretcher verso
    oil on canvas
    16 x 24 inches
  • William Mouncey, Figures Resting by the Wayside
    William Mouncey
    Figures Resting by the Wayside
    signed
    oil on canvas
    15 1/2 x 19 1/2 inches
  • William Mouncey, A Galloway Landscape
    William Mouncey
    A Galloway Landscape
    signed; titled on label verso
    oil on board
    12 x 16 inches
  • Alexander Nasmyth HRSA, Elcho Castle from the Tay
    Alexander Nasmyth HRSA
    Elcho Castle from the Tay
    oil on canvas
    27 x 35 inches
  • Patrick Nasmyth, Tintern Abbey, 1827
    Patrick Nasmyth
    Tintern Abbey, 1827
    signed and dated 1827 on panel verso; inscribed on label verso “This picture landscape / with Tintern Abbey in the distance / was bought from Peter Nasmyth by John Hampa and sold by / him to Lord Murray for 30 guineas / and was bought by me after / Lord Murray's death for / John Burt Esq. M.D. / D Bruce”; inscribed on panel verso “No 24 / P... Nasmyth / Lon... / 1827”
    oil on panel
    7 1/4 x 9 3/4 inches
  • Sir William Quiller Orchardson RA, Study of the Christ Child
    Sir William Quiller Orchardson RA
    Study of the Christ Child
    oil and pencil on canvas
    7 1/2 x 14 1/4 inches
  • Samuel Palmer, The Skylark, 1850
    Samuel Palmer
    The Skylark, 1850
    printed in black ink on chine applique, on a backing sheet of wove paper, as published in Etchings for the Art Union of London by the Etching Club, 1857 plate 17: in the seventh state (of eight)
    4 3/4 x 3 7/8 inches (12.1 x 9.9 cm);
    Sheet 14 5/8 x 10 1/2 inches (36.5 x 26.7 cm)
  • Samuel Palmer, Christmas (Alexander 4), 1850
    Samuel Palmer
    Christmas (Alexander 4), 1850
    etching, an impression of the fourth state (of five), on laid paper
    4 7/8 x 4 inches (12.5 x 10.3 cm);
    Sheet 11 3/8 x 8 inches (28.8 x 20.1 cm)
  • Samuel Palmer, The Vine, 1852
    Samuel Palmer
    The Vine, 1852
    printed in black and red ink on chine appliqué mounted on a backing sheet
    Etching
    12 x 8 1/2 inches (30.4 x 21.7 cm);
    Sheet 23 3/8 x 17 inches (59.2 x 43 cm)
  • Waller Hugh Paton RSA RSW, A Moonlit Moor, 1864
    Waller Hugh Paton RSA RSW
    A Moonlit Moor, 1864
    signed and dated 1864
    watercolour heightened with white
    10 x 15 1/2 inches
  • Waller Hugh Paton RSA RSW, The Last of the Smuggler, 1868
    Waller Hugh Paton RSA RSW
    The Last of the Smuggler, 1868
    signed and dated 1868
    watercolour on paper
    3 3/4 x 8 inches
  • Joseph Farquharson RA, The Rosy Flush of Dawn
    Joseph Farquharson RA
    The Rosy Flush of Dawn
    signed
    oil on canvas
    39 1/2 x 59 inches
  • Sir Henry Raeburn RA, A Study for the portrait of Professor Adam Ferguson (1723-1816)
    Sir Henry Raeburn RA
    A Study for the portrait of Professor Adam Ferguson (1723-1816)
    oil on millboard
    10 3/4 x 8 3/4 inches
  • David Roberts RA, Interior of Rosslyn Chapel, 1844
    David Roberts RA
    Interior of Rosslyn Chapel, 1844
    signed and dated 1844
    oil on canvas
    44 x 34 inches
  • William McTaggart RSA RSW, Old Cottage at Fairlie, 1863-92
    William McTaggart RSA RSW
    Old Cottage at Fairlie, 1863-92
    signed and dated 'W. McTaggart 63-92'
    oil on canvas
    22 1/2 x 28 1/4 inches
  • Harry Spence RSA, Figure with sheep on a wooded path
    Harry Spence RSA
    Figure with sheep on a wooded path
    signed
    oil on canvas
    19 1/2 x 23 inches
  • Harry Spence RSA, Wooded landscape with figures
    Harry Spence RSA
    Wooded landscape with figures
    oil on canvas
    19 1/2 x 23 inches
  • Rev. John Thomson of Duddingston HRSA, Innerwick Castle, c.1826
    Rev. John Thomson of Duddingston HRSA
    Innerwick Castle, c.1826
    oil on canvas
    36 1/2 x 54 3/4 inches
  • Edward Arthur Walton RSA PRSW, November, 1883
    Edward Arthur Walton RSA PRSW
    November, 1883
    signed and dated 'E. A. Walton 83.'; signed and inscribed 'November by E. A. Walton 134 Bath St Glasgow' on canvas verso
    oil on canvas
    42 1/4 x 60 inches
  • Edward Arthur Walton RSA PRSW, The Field Loning, c.1903
    Edward Arthur Walton RSA PRSW
    The Field Loning, c.1903
    signed
    oil on canvas
    31 x 39 1/2 inches
  • James McNeill Whistler, Girl with Bowl , 1895
    James McNeill Whistler
    Girl with Bowl , 1895
    Lithograph, signed in pencil with a butterfly, lower left, and annotated' No 10', verso, printed in black ink on laid paper, watermark Arms of Bollo Reale Toscano with Fleur de Lys countermark, from the edition of 12 impressions printed by Thomas Way; there was also an edition of 600 printed by Lemercier in Paris and published in L’Ymagier in October 1895 and a posthumous edition of 45 printed by Frederick Goulding in March 1904
    5 1/4 x 2 1/2 inches (13.6 x 6.7 cm);
    Sheet 8 1/4 x 5 3/4 inches (21 x 14.5 cm)
  • James McNeill Whistler, The Embroidered Curtain, 1889
    James McNeill Whistler
    The Embroidered Curtain, 1889
    Etching, signed in pencil with a butterfly and inscribed 'imp', printed in warm black ink on laid paper, trimmed at the platemark leaving a signature tab: a proof in the seventh state (of ten): this is illustrated as an addendum to Kennedy's catalogue
    9 3/8 x 6 1/4 in
    23.8 x 15.9 cm
  • James McNeill Whistler, Riva, No. 2, 1879-1880
    James McNeill Whistler
    Riva, No. 2, 1879-1880
    Etching and drypoint, signed in pencil with a butterfly and inscribed 'imp', printed in dark brown ink on laid paper, trimmed at the platemark, leaving a signature tab: in the first state (of two) from the edition of 42 published in 'A Set of Twenty-Six Etchings by James A. McN. Whistler', published by Dowdeswell & Dowdeswell, 1886
    8 x 11 7/8 in
    20.3 x 30.2 cm
  • James McNeill Whistler, Venus, 1859
    James McNeill Whistler
    Venus, 1859
    Etching and drypoint, printed in black ink on laid paper, an impression in the second (final) state: there was no published edition
    6 x 9 inches (15 x 22.6 cm);
    Sheet 7 3/8 x 11 7/8 inches (18.8 x 30.3 cm)
  • James McNeill Whistler, The Little Lagoon, 1879-1880
    James McNeill Whistler
    The Little Lagoon, 1879-1880
    Etching and drypoint, signed in pencil with a butterfly and inscribed 'imp', printed in warm black ink on laid paper, trimmed at the platemark, leaving a signature tab: an impression in the fourth (final) state, published in an edition of 100 by The Fine Art Society, in 1880 in 'Venice, A Series of Twelve Etchings'
    9 x 6 in
    22.9 x 15.2 cm
  • James McNeill Whistler, Penny Passengers, Limehouse, 1860
    James McNeill Whistler
    Penny Passengers, Limehouse, 1860
    Etching and drypoint, signed in pencil with the butterfly and inscribed 'imp', printed in black ink on laid paper, trimmed at the platemark, leaving a signature tab, an impression in the second (final) state, one of only six recorded
    3 1/4 x 8 1/8 in
    8.3 x 20.6 cm
  • Sir David Wilkie RA HRSA, The Sedan Chair
    Sir David Wilkie RA HRSA
    The Sedan Chair
    etching
    4 1/2 x 3 1/4 inches
  • Sir David Wilkie RA HRSA, Farmyard Scene, 1815
    Sir David Wilkie RA HRSA
    Farmyard Scene, 1815
    signed and dated 1815 on panel verso
    oil on panel
    5 x 8 3/4 inches
  • Sir David Wilkie RA HRSA, Holyrood House, 1822
    Sir David Wilkie RA HRSA
    Holyrood House, 1822
    signed and inscribed 'D Wilkie Holyrood House 1822'
    pencil
    5 x 6 3/4 inches
  • Sir David Wilkie RA HRSA, A sketch for 'The Chelsea Pensioners reading the Waterloo Dispatch'
    Sir David Wilkie RA HRSA
    A sketch for 'The Chelsea Pensioners reading the Waterloo Dispatch'
    ink on paper
    4 3/4 x 4 1/2 inches
  • Sir David Wilkie RA HRSA, The continence of Scipio
    Sir David Wilkie RA HRSA
    The continence of Scipio
    indistinctly inscribed
    pen and ink
    7 1/4 x 10 inches
  • Sir David Wilkie RA HRSA, Young Girl with a Dog, 1829
    Sir David Wilkie RA HRSA
    Young Girl with a Dog, 1829
    inscribed 'D Wilkie January 19th 1829'
    pencil and watercolour with ink on paper
    8 x 6 3/4 inches
  • Sir David Wilkie RA HRSA, Woman at a Window, Reading a Letter
    Sir David Wilkie RA HRSA
    Woman at a Window, Reading a Letter
    etching
    3 x 1 1/2 inches
  • Sir David Wilkie RA HRSA, Study of Two Girls Walking, 1838
    Sir David Wilkie RA HRSA
    Study of Two Girls Walking, 1838
    signed, inscribed and dated 1838
    watercolour and ink
    8 1/2 x 7 inches
  • Andrew Wilson, An aqueduct in Savoy from Chamonix Road
    Andrew Wilson
    An aqueduct in Savoy from Chamonix Road
    oil on panel
    11 3/4 x 15 inches

  

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