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Joseph Denovan Adam RSA RSWEvening, Strathspey (or The Glory of the Dying Day), c. 1891signedwatercolour19 1/4 x 29 1/4 in
48.9 x 74.3 cm -
William Arthur Smith BensonExtending Standard Lamp, c. 1900Brass and copperheight 66 7/8 in (extended)
height 170 cm (extended) -
Robert Polhill BevanBreton Peasants , 1891-1894signed in crayon with monogram, RPB, lower left, and with the artist's monogram stamp, RPB, versoDrawing in black crayon on Ingres paper10 x 14 inches (25 x 35 cm);
Sheet 12 7/8 x 19 1/2 inches (32.7 x 49.7 cm) -
Robert Polhill BevanWoman with Cows, Brittany, 1891-1894artist's monogram stamp, RPB, verso, lower left, and a sketch of a horse, versoDrawing in black crayon on Ingres paper8 x 12 1/2 inches (20.3 x 31.8 cm);
Sheet 9 7/8 x 13 5/8 inches (25 x 34.7 cm) -
Sam Bough RSA RSWUnloading the Wreckinscribed 'Unloading the Wreck, Sam Bough RSA' on trade label versowatercolour10 1/2 x 14 1/2 in
26.7 x 36.8 cm -
Sam Bough RSA RSWWinton House, 1872signed and dated 1872oil on canvas38 x 48 inches
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John Crawford Brown ARSAThe Millsigned on board versooil on board11 x 15 in
27.9 x 38.1 cm -
Alexander CarseThe Travelling Clothier, 1812initialled and dated 'A.C. 1812'oil on canvas23 x 30 in
58.4 x 76.2 cm -
George Paul Chalmers RSA RSWMontrose Pier, Twilightsigned; signed and inscribed 'Study of Twilight' in pencil on board versowatercolour and gouache10 x 13 7/8 in
25.4 x 35.2 cm -
William Clark of GreenockYachts off the coastindistinctly inscribed; artist's label verso reads: 'W. Clarke / Marine Painter / D. Cross Shore Street / Greenock.'oil on canvas13 x 19 in
33 x 48.3 cm -
Joseph Farquharson RAThe Rosy Flush of Dawnsignedoil on canvas39 1/2 x 59 in
100.3 x 149.9 cm -
Alexander Fraser Jnr RSA RSWBen Venuesignedoil on canvas30 x 40 in
76.2 x 101.6 cm -
Walter Geikie RSAThe Origin of Paintingsigned in plateetching8 1/4 x 6 in
21 x 15.2 cm -
Walter Geikie RSAEdinburgh and Lochend Lochsigned 'Wr. Geikie'oil on canvas25 x 34 3/4 in
63.5 x 88.3 cm -
Walter Geikie RSAA musical soutersigned and titled in plateetching7 1/2 x 5 1/4 in
19.1 x 13.3 cm -
Walter Geikie RSAFishwivessigned in plateetching3 1/2 x 5 in
8.9 x 12.7 cm -
Walter Geikie RSACobler & Customersigned and titled in plateetching6 3/4 x 5 1/4 in
17.1 x 13.3 cm -
Walter Geikie RSAHe's just gotten plenty for ae daysigned in plateetching5 1/4 x 4 1/8 in
13.3 x 10.5 cm -
Walter Geikie RSAThe criticsigned in plateetching4 x 5 3/8 in
10.2 x 13.7 cm -
Walter Geikie RSALawn Marketsigned and titled in plateetching4 1/2 x 6 1/2 in
11.4 x 16.5 cm -
William GloverThe Clyde, 1867signed and dated '67; signed and inscribed with title on artist's label versooil on board9 x 21 in
22.9 x 53.3 cm -
Sir John Watson Gordon RA PRSAPortrait of a Lady, 1825signed and dated 1825oil on canvas30 x 25 in
76.2 x 63.5 cm -
James Watterston HeraldLady at a windowinitialled J.W.H.pen, ink and watercolour7 1/4 x 5 1/2 in
18.4 x 14 cm -
James HoweBoy washing horses in a stablesigned 'How'pen and ink10 3/4 x 15 3/4 in
27.3 x 40 cm -
James HoweHorse tethered in a stablesigned 'How'pen and ink10 1/2 x 16 in
26.7 x 40.6 cm -
James HoweTwo horses by a fencesigned 'How'pen and ink10 3/4 x 15 3/4 in
27.3 x 40 cm -
William Kidd HRSAAn alehouse altercationsignedoil on panel14 1/4 x 19 in
36.2 x 48.3 cm -
William Kidd HRSAThe Toastoil on canvas10 1/2 x 8 3/4 inches
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William HuntFingal's Cave, on the Isle of Staffa, Scotlandsigned and titled in pencil to margin, inscribed upper right 'Island of Staffa. Fingal's Cave. / W. Hebrides / Scotland. / near the Isle of Mull.'; inscribed 'sketched by my great uncle Capt Wm Hunt RN' versopen, ink and watercolour16 x 11 3/4 in
40.6 x 29.8 cm -
Alexander JohnstonA Stolen Glancesignedoil on canvas30 1/4 x 25 in
76.8 x 63.5 cm -
William Leighton LeitchDeeside near Balmoral, Aberdeenshire - Showery Day, 1864signed and dated 1864, signed and inscribed with title on label versowatercolour23 x 34 in
58.4 x 86.4 cm -
Leon Augustin LhermitteBourges, Une Rue, c.1885signed L . Lhermitte lower leftPastel on buff paper12 x 9 in
30.5 x 22.9 cm -
Leon Augustin LhermitteUne rue a Bourges, c.1885Signed L Lh, lower leftPastel on buff paper12 x 9 in
30.5 x 22.9 cm -
H.F.L.M.The Mound looking toward Calton Hill, 1835monogrammed 'H.F.L.M.' and dated 1835pen and sepia6 3/4 x 9 1/4 in
17.1 x 23.5 cm -
Charles Hodge Mackie RSA RSWChildren playing on the beach, 1898signed and dated 1898watercolour and pencil17 3/4 x 22 1/2 in
45.1 x 57.1 cm -
Harrington MannThe Brook, 1892signed and dated 1892oil on canvas15 x 13 in
38.1 x 33 cm -
Horatio McCulloch RSANorhamsignedwatercolour6 3/4 x 9 3/4 in
17.1 x 24.8 cm -
Arthur Melville ARSA RSWMosul at Dawnsignedwatercolour12 1/4 x 18 1/4 in
31.1 x 46.4 cm -
William MounceyAutumn Landscapesigned; signed and inscribed with title on stretcher versooil on canvas16 x 24 in
40.6 x 61 cm -
Alexander Nasmyth HRSAElcho Castle from the Tayoil on canvas27 x 35 in
68.6 x 88.9 cm -
Samuel PalmerThe Skylark, 1850printed in black ink on chine applique, on a backing sheet of wove paper, as published in Etchings for the Art Union of London by the Etching Club, 1857 plate 17: in the seventh state (of eight)4 3/4 x 3 7/8 inches (12.1 x 9.9 cm);
Sheet 14 5/8 x 10 1/2 inches (36.5 x 26.7 cm) -
Samuel PalmerChristmas (Alexander 4), 1850etching, an impression of the fourth state (of five), on laid paper
4 7/8 x 4 inches (12.5 x 10.3 cm);
Sheet 11 3/8 x 8 inches (28.8 x 20.1 cm) -
Samuel PalmerThe Vine, 1852printed in black and red ink on chine appliqué mounted on a backing sheetEtching12 x 8 1/2 inches (30.4 x 21.7 cm);
Sheet 23 3/8 x 17 inches (59.2 x 43 cm) -
James Paterson RSA RSWEdinburgh from Craigleithsigned; titled in another hand versogouache on paper10 3/4 x 15 1/4 in
27.3 x 38.7 cm -
Waller Hugh Paton RSA RSWA Moonlit Moor, 1864signed and dated 1864watercolour heightened with white10 x 15 1/2 in
25.4 x 39.4 cm -
A. W. N. PuginGothic Revival Ciborium, 1857For John Hardman & Co., Birmingham
chased and engraved with stylised foliage and fleur-de-lis, raised on a knopped stem with chased rosette roundels, shaped foot, stamped maker's marks and hallmarks for Birmingham 1857
Silver Giltheight 12 3/8 in
height 31.5 cm -
Sir Henry Raeburn RAA Study for the portrait of Professor Adam Ferguson (1723-1816)oil on millboard10 3/4 x 8 3/4 in
27.3 x 22.2 cm -
Edward Arthur Walton RSA PRSWNovember, 1883signed and dated 'E. A. Walton 83.'; signed and inscribed 'November by E. A. Walton 134 Bath St Glasgow' on canvas versooil on canvas42 1/4 x 60 in
107.3 x 152.4 cm -
James McNeill WhistlerGirl with Bowl , 1895Lithograph, signed in pencil with a butterfly, lower left, and annotated' No 10', verso, printed in black ink on laid paper, watermark Arms of Bollo Reale Toscano with Fleur de Lys countermark, from the edition of 12 impressions printed by Thomas Way; there was also an edition of 600 printed by Lemercier in Paris and published in L’Ymagier in October 1895 and a posthumous edition of 45 printed by Frederick Goulding in March 19045 1/4 x 2 1/2 inches (13.6 x 6.7 cm);
Sheet 8 1/4 x 5 3/4 inches (21 x 14.5 cm) -
James McNeill WhistlerThe Embroidered Curtain, 1889Etching, signed in pencil with a butterfly and inscribed 'imp', printed in warm black ink on laid paper, trimmed at the platemark leaving a signature tab: a proof in the seventh state (of ten): this is illustrated as an addendum to Kennedy's catalogue9 3/8 x 6 1/4 in
23.8 x 15.9 cm -
James McNeill WhistlerRiva, No. 2, 1879-1880Etching and drypoint, signed in pencil with a butterfly and inscribed 'imp', printed in dark brown ink on laid paper, trimmed at the platemark, leaving a signature tab: in the first state (of two) from the edition of 42 published in 'A Set of Twenty-Six Etchings by James A. McN. Whistler', published by Dowdeswell & Dowdeswell, 18868 x 11 7/8 in
20.3 x 30.2 cm -
James McNeill WhistlerVenus, 1859Etching and drypoint, printed in black ink on laid paper, an impression in the second (final) state: there was no published edition6 x 9 inches (15 x 22.6 cm);
Sheet 7 3/8 x 11 7/8 inches (18.8 x 30.3 cm) -
James McNeill WhistlerThe Little Lagoon, 1879-1880Etching and drypoint, signed in pencil with a butterfly and inscribed 'imp', printed in warm black ink on laid paper, trimmed at the platemark, leaving a signature tab: an impression in the fourth (final) state, published in an edition of 100 by The Fine Art Society, in 1880 in 'Venice, A Series of Twelve Etchings'9 x 6 in
22.9 x 15.2 cm -
James McNeill WhistlerPenny Passengers, Limehouse, 1860Etching and drypoint, signed in pencil with the butterfly and inscribed 'imp', printed in black ink on laid paper, trimmed at the platemark, leaving a signature tab, an impression in the second (final) state, one of only six recorded3 1/4 x 8 1/8 in
8.3 x 20.6 cm -
Sir David Wilkie RA HRSAThe Sedan Chairetching4 1/2 x 3 1/4 in
11.4 x 8.3 cm -
Sir David Wilkie RA HRSAFarmyard Scene, 1815signed and dated 1815 on panel versooil on panel5 x 8 3/4 in
12.7 x 22.2 cm -
Sir David Wilkie RA HRSAHolyrood House, 1822signed and inscribed 'D Wilkie Holyrood House 1822'pencil5 x 6 3/4 in
12.7 x 17.1 cm -
Sir David Wilkie RA HRSAA sketch for 'The Chelsea Pensioners reading the Waterloo Dispatch'ink on paper4 3/4 x 4 1/2 in
12.1 x 11.4 cm -
Sir David Wilkie RA HRSAThe continence of Scipioindistinctly inscribedpen and ink7 1/4 x 10 in
18.4 x 25.4 cm -
Sir David Wilkie RA HRSAAlexander Aitken, c.1804-1806oil on canvas30 x 25 in
76.2 x 63.5 cm -
Sir David Wilkie RA HRSAYoung Girl with a Dog, 1829inscribed 'D Wilkie January 19th 1829'pencil and watercolour with ink on paper8 x 6 3/4 in
20.3 x 17.1 cm -
Sir David Wilkie RA HRSAWoman at a Window, Reading a Letteretching3 x 1 1/2 in
7.6 x 3.8 cm -
Sir David Wilkie RA HRSAStudy of Two Girls Walking, 1838signed, inscribed and dated 1838watercolour and ink8 1/2 x 7 in
21.6 x 17.8 cm
