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Arts and Crafts movementWall mirror, early 20th centurybrass with ceramic cabochon19 ½ x 15 ¼ inches
49.5 x 38.7 cmArts and Crafts movement, Wall mirror, early 20th century£ 1,250.00 -
Betty BlandinoCoiled vaseimpressed with artist's markstoneware with rust and olive striped washes14 ¼ x 16 x 12 inches (36 x 41 x 30.5 cm)Betty Blandino, Coiled vase£ 3,200.00 + 4% ARR -
Betty Blandino, Leaning bowl£ 250.00 -
Betty BlandinoLipped vesselimpressed with artist's markstoneware7 ½ x 6 x 5 ¾ inches (19 x 15 x 14.5 cm)Betty Blandino, Lipped vessel£ 950.00 -
Sir Muirhead Bone HRSA HRWSA Manhattan Excavation, 1923signed in plate; signed in pencil to margin and initialled MB (indicating a proof reserved for the artist)drypointone of 18 impressions in the 13th state of 19, edition of 15112 ¼ x 10 inches (31 x 25.5 cm)Sir Muirhead Bone HRSA HRWS, A Manhattan Excavation, 1923£ 4,800.00 -
Phyllis Mary Bone RSAPanther disturbed while attacking a vulture, 1925inscribed with signature and dated 25bronze8 x 20 ¼ x 9 inches (20.5 x 51.5 x 30 cm) including basePhyllis Mary Bone RSA, Panther disturbed while attacking a vulture, 1925£6,800.00 + 4% ARR -
Gerald Leslie Brockhurst RADorette, 1932signed in pencil to margin; signed and dated 1932 in plate (in reverse)etching, printed in black ink on wove paperan impression in the sixth (final) state, from the edition of 1119 x 7 ¼ inches (23 x 18 cm)Gerald Leslie Brockhurst RA, Dorette, 1932£2,800.00 + 4% ARR -
Gerald Leslie Brockhurst RAUna (The Young Creole), 1929signed and titled in pencil to margin; signed in plate (in reverse)etchingan impression from the edition of 1118 ½ x 6 ¼ inches (21.5 x 16 cm)Gerald Leslie Brockhurst RA, Una (The Young Creole), 1929£ 1,500 + 4% ARR -
Gerald Leslie Brockhurst RAViba, 1929signed and titled in pencil to margin; signed and dated 1929 in plate (in reverse)etchingan impression from the edition of 1118 ¼ x 6 ¾ inches (21 x 17 cm)Gerald Leslie Brockhurst RA, Viba, 1929£ 1,500 + 4% ARR -
Gerald Leslie Brockhurst RALes Deux Landaises, 1923signed and titled in pencil to margin; signed in plate (in reverse)etchingan impression from the edition of 767 ¾ x 5 ¾ inches (19.8 x 14.7 cm)Gerald Leslie Brockhurst RA, Les Deux Landaises, 1923£ 750.00 -
Jeffery Camp, Sunbathers and Ships, 1982£3,500.00 + 4% ARR -
James Couper & Sons, Glasgow (maker)Clutha jar and stopper, late 1890sgreen glass with opaque trailed inclusionsheight: 11 ½ inches (29 cm)James Couper & Sons, Glasgow (maker), Clutha jar and stopper, late 1890s£ 1,800.00 -
James Couper & Sons, Glasgow (maker)Clutha juggreen glass with white and aventurine inclusions4 ¼ x 5 ½ x 5 ¼ inches (11 x 14 x 13 cm)James Couper & Sons, Glasgow (maker), Clutha jug£ 850.00 -
Christopher Dresser (attributed)Hot water can, c.1885for Benham and Froud, London (makers)brass9 ½ x 10 ¼ x 5 ¼ inches (24 x 26 x 13 cm)Christopher Dresser (attributed), Hot water can, c.1885£ 350.00 -
Edmund DulacDesign for carpet, 1920spencil and gouache on paper, cut in collage on cardboard4 ¾ x 3 ¾ inches (12 x 9.5 cm)Edmund Dulac, Design for carpet, 1920s£ 2,800.00 -
Glasgow SchoolArts and Crafts 'Abingwood' chair, c.1900in the style of George Walton (1867-1933)ash and oak with rush seat39 x 25 ½ x 18 inches (99 x 65 x 46 cm)Glasgow School, Arts and Crafts 'Abingwood' chair, c.1900£ 1,500.00 -
Andrew Granger HeitonGothic Revival throne chair, 1913oak47 ¼ x 23 ½ x 18 inches
120 x 59.7 x 45.7 cmAndrew Granger Heiton, Gothic Revival throne chair, 1913£ 850.00 -
James Watterston HeraldTravelling Fair, 1890signed and dated 90watercolour on paper6 ¾ x 9 ¾ inches (17 x 25 cm)James Watterston Herald, Travelling Fair, 1890£ 3,800.00 -
Gertrude Anna Bertha Hermes OBE RAClematis, 1930signed, titled, dated 1930 and numbered 17/30 in pencil to marginwoodcutedition of 309 x 5 ½ inches (23 x 14 cm) | sheet: 11 x 5 1/2 inchesGertrude Anna Bertha Hermes OBE RA, Clematis, 1930£1,800 + 4% ARR -
James Coutts MichieAfter Whistler: Arrangement in Grey, Portrait of the Painter, 1909oil on canvas30 ¼ x 22 inches (77 x 56 cm)James Coutts Michie, After Whistler: Arrangement in Grey, Portrait of the Painter, 1909£2,200 + 5% import duty -
Agnes Miller ParkerFox, 1936signed, titled, inscribed 'Proof I' and dated 1936 in pencil to marginwood engraving7 x 4 ¾ inches (18 x 12 cm)Agnes Miller Parker, Fox, 1936£1,400.00 + 4% ARR -
Ernest RaceBottleship Mark 2, 1963manufactured by John Alan Designs for Isokon Furniture Company, Londoncherry plywood17 x 21 ¾ x 17 inches (43 x 55 x 43 cm)Ernest Race, Bottleship Mark 2, 1963£ 3,000.00 -
Paul Adolphe RajonJames McNeill Whistler, 1883signed in the stone; printed in black ink on laid paperlithograph8 ½ x 6 ¼ inches (21.5 x 16 cm)Paul Adolphe Rajon, James McNeill Whistler, 1883£750 + 5% import duty -
Johann Heinrich VogelerTable and chairs (pair), c.1910for Worpsweder Werkstätte (maker)
incised marks 'H V/ W' on reverse of chair seats (Heinrich Vogeler, Worpsweder Werkstätte)oak and drop in rush seatstable: 28 ½ x 35 ½ x 29 ½ inches (72.5 x 90 x 75 cm)
chair: 39 ¼ x 18 ½ x 18 inches (100 x 47 x 46 cm)Johann Heinrich Vogeler, Table and chairs (pair), c.1910£ 3,200.00 for the set -
Charles Francis Annesley VoyseyVentilation grille/trivet, c.1892possibly manufactured by Comyn Ching & Co., Ipswich, or T. Elsley & Co.cast iron6 x 13 ½ x 8 ½ inches (15 x 34 x 21.5 cm)Charles Francis Annesley Voysey, Ventilation grille/trivet, c.1892£ 2,400.00 -
Robert WelchDecanter, 1968hallmarked to collar; Birmingham, 1973blown glass with silver stopperheight: 11 ¾ inches (30 cm)Robert Welch, Decanter, 1968£ 1,800.00 -
James McNeill WhistlerBattersea Dawn (Cadogan Pier), 1863signed with the butterfly in pencil to margin; signed in plate; printed in black ink on laid paperetching and drypointan impression in the second (final) state4 ½ x 6 inches (11.5 x 15.3 cm)James McNeill Whistler, Battersea Dawn (Cadogan Pier), 1863£4,500 + 5% import duty -
James McNeill WhistlerOld Hungerford Bridge, 1861signed in plate; printed in black ink on laid paperetching and drypointan impression in the fourth (final) state5 ½ x 8 ½ inches (14 x 21.5 cm)James McNeill Whistler, Old Hungerford Bridge, 1861£2,000 + 5% import duty -
James McNeill WhistlerThe Forge, 1861signed and dated 1861 in plate; printed in black ink on thin Japan paperdrypointan impression in the sixth (final) state7 ¾ x 12 ½ inches (19.7 x 31.9 cm)James McNeill Whistler, The Forge, 1861£2,000 + 5% import duty -
James McNeill WhistlerBillingsgate, 1859signed and dated 1859 in plate; printed in black ink on thin Japan paperetching and drypointan impression in the eighth (final) state6 x 8 ¾ inches (15.2 x 22.3 cm)James McNeill Whistler, Billingsgate, 1859£4,000 + 5% import duty -
James McNeill WhistlerBlack Lion Wharf, 1859signed and dated 1859 in plate; printed in black ink on laid paperetchingan impression in the fourth (final) state6 x 9 inches (15.3 x 22.9 cm)James McNeill Whistler, Black Lion Wharf, 1859£5,000 + 5% import duty -
James McNeill WhistlerC. L. Drouet, Sculptor, 1859signed, dated 1859, inscribed 'Whistler Maitre Eaufortier' and 'Drouet. Sculpteur.' in plate; printed in black ink on laid paperetching and drypointan impression in the second (restored) state9 x 6 inches (22.6 x 15.2 cm)James McNeill Whistler, C. L. Drouet, Sculptor, 1859£1,200 + 5% import duty -
James McNeill WhistlerEagle Wharf, 1859signed and dated 1859 in plate; printed in black ink on laid paperetchingan impression in the first (only) state5 ½ x 8 ½ inches (14 x 21.7 cm)James McNeill Whistler, Eagle Wharf, 1859£3,000 + 5% import duty -
James McNeill WhistlerLimehouse, 1859signed and dated 1859 in plate; printed in black ink on thin Japan paperetching and drypointan impression in the third (final) state5 x 8 inches (12.8 x 20.4 cm)James McNeill Whistler, Limehouse, 1859£6,500 + 5% import duty -
James McNeill WhistlerOld Westminster Bridge, 1859signed and dated 1859 in plate; printed in black ink on laid paperetching and drypointan impression in the third state (of four)3 x 8 inches (7.6 x 20.4 cm)James McNeill Whistler, Old Westminster Bridge, 1859£1,500 + 5% import duty -
James McNeill WhistlerThe Pool, 1859signed and dated 1859 in plate; printed in black ink on laid paperetching and drypointan impression in the sixth (final) state5 ½ x 8 ½ inches (14 x 21.7 cm)James McNeill Whistler, The Pool, 1859£3,500 + 5% import duty -
James McNeill WhistlerLa Rétameuse, 1858signed and inscribed 'Imp. Delatre. Rue St. Jacques. 171.' in plate; printed in black ink on wove paperetchingan impression in the second (final) state4 ½ x 3 ½ inches (11.2 x 8.9 cm)James McNeill Whistler, La Rétameuse, 1858£2,000 + 5% import duty -
Whytock & Reid, Edinburgh (maker)A pollarded oak writing table, c.1930in the manner of Sir Robert Lorimer, the rectangular cross banded top with leather inset above a central drawer flanked by two short drawers on moulded legs ending in pointed toes.oak30 ¼ x 48 ¼ x 24 ¼ inches (77 x 123 x 62 cm)Whytock & Reid, Edinburgh (maker), A pollarded oak writing table, c.1930£ 2,500.00 -
William Heath WilsonA view of Florence from Monte Alle Croci, 1874signed and dated 1874oil on canvas12 ½ x 21 ¾ inches (32 x 55 cm)William Heath Wilson, A view of Florence from Monte Alle Croci, 1874£ 6,500.00
