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Gertrude Anna Bertha Hermes OBE RAHand and Baby, 1929initialled in plate; dated 1929 and inscribed 'With love and best wishes from Blair, Gert, Judith & Simon' in pencil to marginwood engraving4 ½ x 3 inchesGertrude Anna Bertha Hermes OBE RA, Hand and Baby, 1929£ 650.00 -
Gertrude Anna Bertha Hermes OBE RAHand and Aconitesinscribed inside ‘best love from us 3 to you both. Hope all goes well.' and printed ‘Greetings for Christmas and the New Year from Gertrude Hermes. Change of address: 65 Black Lion Lane, W6’wood engraving5 x 3 ¾ inchesGertrude Anna Bertha Hermes OBE RA, Hand and Aconites£ 650.00 -
Thomas JeckyllKettle stand, c.1882for Robbins & Co, Dudley (maker); stamped to base with registration mark for February 1882, cast mark no. 3brass7 ½ x 7 ½ inchesThomas Jeckyll, Kettle stand, c.1882£ 950.00 -
William Kidd HRSA, The Toast£ 2,200.00 -
Jack Knox RSA RSW, Cornish Window, 1974£ 1,800 + 4% ARR -
John Knox, St Michael's Church, Skelton£ 2,200.00 -
Kurt KranzAbend über den Tunturi, c.1945signed, titled and inscribed 'Lithographie' in pencil to marginlithograph29 ¾ x 22 inchesKurt Kranz, Abend über den Tunturi, c.1945£ 2,500.00 -
Kurt KranzBirkbusch, c.1945signed, titled and inscribed 'Lithographie' in pencil to marginlithograph29 ¾ x 22 ¼ inchesKurt Kranz, Birkbusch, c.1945£ 2,500.00 -
Kurt KranzNordlicht über der Tundra, c.1945signed, titled and inscribed 'Lithographie' in pencil to margin; initialled in the stonelithograph30 x 22 ¼ inchesKurt Kranz, Nordlicht über der Tundra, c.1945£ 2,500.00 -
Kurt KranzTundra vor Murmansk, c.1945signed, titled and inscribed 'Lithographie' in pencil to margin; initialled in the stonelithograph29 ½ x 22 ¼ inchesKurt Kranz, Tundra vor Murmansk, c.1945£ 2,500.00 -
Kurt KranzMoor in Lappland, 1945signed, titled, dated 45 and inscribed 'Lithographie' in pencil to margin; initialled and dated 45 in the stonelithograph29 ½ x 22 inchesKurt Kranz, Moor in Lappland, 1945£ 2,500.00 -
Kurt KranzSee in Karelien, 1945signed, titled and inscribed 'Lithographie' in pencil to margin; initialled and dated 45 in the stonelithograph30 x 22 ¼ inchesKurt Kranz, See in Karelien, 1945£ 2,500.00 -
Gerald LaingJean Harlow, 2011signed, titled, dated and numbered in pencil to marginscreenprint in colours with hand-applied platinum leaf and silver dollar foil
printed by Artizan Editions; published by St Pancras Editions, Londonedition of 200sheet: 47 x 34 inches | 121 x 86 cmGerald Laing, Jean Harlow, 2011£ 3,600.00 inc. VAT unframed (£4,300 framed) -
Gerald LaingBelshazzar’s Feast, 2010signed, titled, dated and numbered in pencil to marginscreenprint
printed in colours by Artizan Editions; published by the artistedition of 90sheet 33 x 48 inches | 85.5 x 122 cmGerald Laing, Belshazzar’s Feast, 2010£ 4,800.00 inc. VAT unframed (£5,500 framed) -
Gerald LaingGethsemane, 2008signed, titled, dated and numbered in pencil to marginscreenprint in colours with silver foil
printed by Artizan Editionsedition of 90sheet: 38 x 28 inches | 96.5 x 71 cmGerald Laing, Gethsemane, 2008£ 2,400.00 inc. VAT unframed (£2,900 framed) -
Gerald LaingLincoln Convertible, 1964-2007signed, titled, dated and numbered 58/60 in pencil to marginscreenprint with silver leaf
printed by Artizan Editions; published by the artist (with his blindstamp)edition of 60sheet: 41 x 59 inches | 104 x 150 cmGerald Laing, Lincoln Convertible, 1964-2007£ 3,000.00 inc. VAT unframed (£4,000 inc. VAT framed) -
Gerald LaingAnna Karina, 1963-2004signed, titled, dated and numbered 72/100 in pencil to marginscreenprint
printed by Editions Domberger, Stuttgart; published by the artist (with his blindstamp)edition of 100sheet: 39 ½ x 26 ¼ inches | 100 x 66.5 cmGerald Laing, Anna Karina, 1963-2004£ 2,400.00 inc. VAT unframed (£3,000 inc. VAT framed) -
Peter Lane, Gourd vessel£ 1,248.00 £1,200 + 4% ARR -
Peter LaneTapered vesselinscribed with signature to basemanganese glazed stoneware14 ¼ x 5 x 5 inchesPeter Lane, Tapered vessel£ 1,800 + 4% ARR -
John Henry Lorimer RSA RSW RWS RPA Fisherman's Strong, Cove, 1887signed and dated 1887oil on canvas20 x 27 inchesJohn Henry Lorimer RSA RSW RWS RP, A Fisherman's Strong, Cove, 1887£ 7,500.00 -
Bet Low ARSA RSW, Autumn Hillside£3,500 + 4% ARR -
H.F.L.M.The Mound looking toward Calton Hill, 1835monogrammed 'H.F.L.M.' and dated 1835pen and sepia6 ¾ x 9 ¼ inchesH.F.L.M., The Mound looking toward Calton Hill, 1835£ 650.00 -
Charles Hodge Mackie RSA RSWReturn of the Flock, c.1900-10signed 'Charles Mackie del et imp' and inscribed 'To Walter Sickert' in pencil; titled in pencil to margincolour woodblock12 ½ x 14 inchesCharles Hodge Mackie RSA RSW, Return of the Flock, c.1900-10£ 2,200.00 -
Will Maclean RSANightmare for a Herring (II), 1974-87signed, titled and dated verso; signed, titled and dated on artist's label versopainted and carved wood17 ¼ x 8 ¾ x 2 ½ inchesWill Maclean RSA, Nightmare for a Herring (II), 1974-87£ 2,800 + 4% ARR -
Iain MacnabSouthern Landscape, 1933signed, titled and numbered 52/75 in pencil to marginwood engravingedition of 758 x 9 ¾ inchesIain Macnab, Southern Landscape, 1933£ 2,200 + 4% ARR -
Iain MacnabA Mediterranean Port, 1930signed and numbered 8/40 in pencil to marginwood engravingedition of 408 x 9 ¾ inchesSold
sheet: 10 1/4 x 12 3/4 inches -
Iain Macnab, Portrait of a Lady£ 7,500 + 4% ARR -
John MacWhirter RA HRSA RSW, MacLean's Cross, Iona, c.1880£ 1,500.00 -
Jim MaloneTenmoku glazed bowlimpressed 'JM' and 'A [Ainstable]' to basestoneware with kaki glaze and copper green pours4 ¾ x 16 ¾ inchesJim Malone, Tenmoku glazed bowl£ 950.00 -
Alexander Mann, Tangiers, 1892£ 3,800.00 -
Marjorie Minkin3 Broads and 5 Narrows, 1981inscribed 'Copyright Marjorie Minkin, Jan '81, "3 broads and 5 narrows",' and 'John McLean,' in pencil versoink on paper25 ¾ x 40 ¼ inchesReserved -
William MarshallAsh glazed yunomi (1)impressed with artist's seal on basestoneware4 x 3 ¼ x 3 ¼ inchesWilliam Marshall, Ash glazed yunomi (1)£ 250.00 -
William MarshallAsh glazed yunomi (2)impressed with artist's seal on basestoneware4 x 3 ¼ x 3 ¼ inchesWilliam Marshall, Ash glazed yunomi (2)£ 250.00 -
William MarshallAsh glazed yunomi (3)impressed with artist's seal on basestoneware4 x 3 ¼ x 3 ¼ inchesWilliam Marshall, Ash glazed yunomi (3)£ 250.00 -
Martin BrothersGourd vase, 1915incised '1-1915 Martin Bros Southall' to baseblue and green glazed stoneware4 ¼ x 5 x 5 inchesMartin Brothers, Gourd vase, 1915£ 800.00 -
James McBeyPunta Palmilla, Mexico, 1958signed and inscribed 'Punta Palmilla, Mexico, 17 January 1958'; inscribed 'Shipping Oxen, Punta Palmilla, Baja California, no.2' versowatercolour, pen and ink14 ¾ x 22 inchesJames McBey, Punta Palmilla, Mexico, 1958£ 2,600 + 4% ARR -
James McBeyView of San Francisco, California, 1941signed in pen and inscribed 'San Francisco, Dec 1941' in pencil; pen and ink sketch versowatercolour, pen and ink12 x 19 inchesJames McBey, View of San Francisco, California, 1941£ 1,800 + 4% ARR -
James McBeyArtist and Model (self-portrait), 1925signed in pen to margin; inscribed 'Specimen proof for publ ed. MH 223' and signed Martin Hardie in pencil to sheetetching2nd trial proof (of 9) preceding the edition of 5108 ¾ x 6 inchesJames McBey, Artist and Model (self-portrait), 1925£ 750.00 -
James McBeyThe Moonlight Attack, Jelil, 1920signed and numbered XXXVIII in pen to margin; signed, inscribed '19 September 1918 Jelil' and dated 1920 in plateetchingedition of 76 numbered and two additional proofs9 x 15 ¼ inchesJames McBey, The Moonlight Attack, Jelil, 1920£ 550.00 -
James McBeyThe Moray Firth, 1914signed and numbered XXVII in pen to margin; signed in plateetchingedition of 50 numbered and five additional proofs9 x 14 ½ inchesJames McBey, The Moray Firth, 1914£ 850.00 -
William McCanceThe Censor No.1, 1950signed, titled and numbered 18/30 in pencil to marginlinocutedition of 3012 ½ x 9 ½ inchesWilliam McCance, The Censor No.1, 1950£ 600.00 -
William McCanceRhythmical Figure, 1935signed and dated 35 to basefire clay7 ½ x 10 ½ x 8 ¾ inches
19.1 x 26.7 x 22.2 cmWilliam McCance, Rhythmical Figure, 1935£ 4,000 + 4% ARR -
William McCance, Initials for 'The Fables of Esope', Series A, 1932£ 950.00 -
William McCanceInitials for 'The Fables of Esope', Series B, 1932signed, dated 1932, numbered and inscribed 'Initials for the Fables of Esope. 3/12. Series B.' in pencil to marginwood engravingedition of 1210 ½ x 5 ¾ inchesWilliam McCance, Initials for 'The Fables of Esope', Series B, 1932£ 750.00 -
William McCanceInitials for 'The Fables of Esope', Series C, 1932signed, dated 1932, numbered and inscribed 'Initials for the Fables of Esope. 12/12. (Series C.)' in pencil to marginwood engravingedition of 1210 ¼ x 5 ½ inchesWilliam McCance, Initials for 'The Fables of Esope', Series C, 1932£ 750.00 -
William McCanceSeated nude, 1926signed and dated 1926pencil and pastel on buff paper19 x 14 ½ inchesWilliam McCance, Seated nude, 1926£ 1,200 + 4% ARR -
James McIntosh Patrick OBE RSABriggs Refinery, 1952inscribed 'Etched for W.M. Briggs & Sons by James McIntosh Patrick' in plate; signed, titled and dated 1952 in pencil to marginetching4 ¾ x 6 ¾ inchesJames McIntosh Patrick OBE RSA, Briggs Refinery, 1952£ 550.00 -
James McIntosh Patrick OBE RSAGlencoe, 1928signed and dated 28 in plate; signed and numbered 46/75 in pencil to marginetchingedition of 756 ¾ x 9 ¾ inchesJames McIntosh Patrick OBE RSA, Glencoe, 1928£ 850.00 -
John McLeanDrumsturdy, 2009signed, dated 2009 and numbered 70/70screenprintedition of 7030 x 34 inchesJohn McLean, Drumsturdy, 2009£ 1,000.00 -
John McLeanCantrip, 2008signed, dated and inscribed H.C. [hors commerce]woodblock print19 x 14 ¾ inchesJohn McLean, Cantrip, 2008£ 700.00 -
John McLeanGiallo, 2007signed, titled and dated versoacrylic and collaged canvas on canvas9 ¾ x 14 ¼ inches (25 x 36 cm)John McLean, Giallo, 2007£ 1,400.00 -
John McLeanTegamaccio, 2004initialled, dated 2004 and numbered 'IV/X' in pencil to marginscreenprintedition of 1022 ¼ x 23 ½ inchesJohn McLean, Tegamaccio, 2004£ 1,200.00 -
John McLean, Calm, 2003£ 2,000.00 -
John McLeanWorking proof for 'Dawn', 2001signed with initials, titled and inscribed in pencil to marginaquatint with chine-collé9 ¼ x 6 ½ inchesJohn McLean, Working proof for 'Dawn', 2001£ 850.00 -
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John McLeanBeaver Creek, 1989initialled and dated 89; signed, titled and dated versoacrylic and watercolour on paper22 x 30 inches (56 x 76 cm)John McLean, Beaver Creek, 1989£ 2,200.00 -
John McLean, Untitled£ 2,800.00 -
John McLean, Untitled£ 1,400.00 -
John McLean, Untitled£ 1,800.00 -
Talbert McLean, Carlingheugh, 1959£ 6,500.00 -
Talbert McLean, Blue Veil£ 2,800.00 -
Althea McNish, Trinidad (green colourway), 1960£ 1,800.00 -
Althea McNish, Trinidad (purple colourway), 1960£ 1,800.00 -
Althea McNish, Golden Harvest, 1959£ 2,400.00 -
Althea McNish, Van Gogh, 1959£ 1,800.00 -
Jennifer McRae RSAThe Smoking Room, Carnegie Club, Skibo, 2015signed and dated 15oil on linen paper16 x 21 ½ inchesJennifer McRae RSA, The Smoking Room, Carnegie Club, Skibo, 2015£ 2,800.00 -
John Milne DonaldOn the Kelvin, 1854signed and dated 54; titled on exhibition label versooil on canvas18 ¼ x 22 ½ inchesJohn Milne Donald, On the Kelvin, 1854£ 6,500.00 -
John Campbell Mitchell RSAChildren on a beach, 1919signed and dated 1919oil on canvas18 ¼ x 30 inchesJohn Campbell Mitchell RSA, Children on a beach, 1919£ 6,800.00 -
Alberto Morrocco OBE RSA RSW, Kitchen Window£2,800 + 4% ARR -
Charles Murray, Rain, Port Bannatyne, Bute, c.1930£ 650.00 -
Børge MøgensenCard table, 1953teak and beech
for Søborg Møbelfabrik, Denmark24 x 26 (extended 37 ¾ in) x 19 inches
61 x 66 (extended 95.9 cm) x 48.3 cmBørge Møgensen, Card table, 1953£ 950.00 -
Attr. Harry NapperDesign no. 1853, c.1900for Silver Studioprinted fine cotton (possibly Madras cotton)25 x 36 ¾ inchesAttr. Harry Napper, Design no. 1853, c.1900£ 3,900.00 -
Attr. Harry NapperDesign in blue and greenfor Silver Studio
retailed by Scheurer, Laith & Cie, Alsace, c.1900
original sample from Scheurer's Grand Livres (labels attached)printed cretonne (cotton)19 ¾ x 32 inchesAttr. Harry Napper, Design in blue and green£ 2,800.00 -
Attr. Harry NapperDesign no. 1335 'Anemone'for Silver Studio
design sold to Daniel Lee (textile printers) February 1894 for £3 10sprinted twill37 x 23 ¾ inchesAttr. Harry Napper, Design no. 1335 'Anemone'£ 3,900.00 -
Patrick NasmythTintern Abbey, 1827signed and dated 1827 on panel verso; inscribed on label verso “This picture landscape / with Tintern Abbey in the distance / was bought from Peter Nasmyth by John Hampa and sold by / him to Lord Murray for 30 guineas / and was bought by me after / Lord Murray's death for / John Burt Esq. M.D. / D Bruce”; inscribed on panel verso “No 24 / P... Nasmyth / Lon... / 1827”oil on panel7 ¼ x 9 ¾ inchesPatrick Nasmyth, Tintern Abbey, 1827£ 3,800.00 -
Sir William Quiller Orchardson RAA Kent cottage interiorsigned with initialsoil on canvas14 x 21 inchesSir William Quiller Orchardson RA, A Kent cottage interior£ 2,500.00 -
Sir William Quiller Orchardson RAStudy for a composition, possibly a Nativityoil and pencil on canvas7 ½ x 14 ¼ inchesSir William Quiller Orchardson RA, Study for a composition, possibly a Nativity£ 2,200.00 -
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Sir Eduardo Paolozzi CBE RAAvant-Garde, 1970signed, inscribed 'A/P' and dated 1970 in pencil to marginscreenprintedition of 25 plus APs22 ½ x 30 ½ inchesSir Eduardo Paolozzi CBE RA, Avant-Garde, 1970£2,800 + 4% ARR -
Waller Hugh Paton RSA RSWArdentinny on the Clyde, 1872signed and dated 1872; titled on gallery label versowatercolour13 ¾ x 25 inchesWaller Hugh Paton RSA RSW, Ardentinny on the Clyde, 1872£ 3,200.00
