The Print Show

12 January - 17 February 2023 London

Works

Anne Desmet RA
Edinburgh Botanical Gardens, 1986
signed, inscribed 'Edinburgh Botanical Gardens during the Festival', numbered 12/12 and dated 'April '86' in pencil to margin
lithograph
10 1/2 x 7 3/4 inches
edition of 12
Norman Ackroyd RA
Floral Oval, 1970
signed, titled, dated 1970 and inscribed 'Artist's Proof' in pencil to margin
etching
15 ¾ x 11 ¾ inches
Norman Ackroyd RA
Evening at Stac an Armin (from 'St Kilda Revisited'), 2010
signed, dated, titled and numbered 76/90 in pencil to margin
etching
17.5 x 27.5 cm
edition of 90
Vernon Gibberd
Edinburgh with Salisbury Crags
signed, inscribed 'Edinburgh 2', and numbered 18/75 in pencil to margin
etching
13 1/2 x 17 3/4 inches
James McIntosh Patrick OBE RSA
Powrie Castle
signed and inscribed 'Trial Proof'
etching
5 x 6 1/2 inches
James McIntosh Patrick OBE RSA
Assisi, c.1934
signed and inscribed 'trial' in pencil to margin; titled and dated on exhibition label mount verso
etching
5 1/2 x 8 inches
Sheet size: 7 1/4 x 12 1/2 inches
James McIntosh Patrick OBE RSA
Loch Lomond, 1928
signed and dated 1928 in plate, signed and numbered 16/75 in pencil to margin
etching
4 ½ x 8 ¼ inches
edition of 75
William Wilson RSA RSW
St Martin's Bridge, Toledo, 1933
signed and inscribed 'Imp HK.'
etching
13 3/4 x 16 1/2 inches
William Wilson RSA RSW
Ronda, 1933
signed and dated 1933 in pencil to margin
etching
13 x 17 1/2 inches
James Reville RSW
Trees
signed in plate
etching and drypoint
6 7/8 x 9 3/4 inches
Charles Frederick Tunnicliffe RA
The Thief, 1928
monogrammed and dated 28 in plate; signed and numbered 51/75 in pencil to margin
etching
6 x 9 inches
edition of 75
Agnes Miller Parker
Full Many A Flower, 1938
signed, inscribed 'Full Many a Flower Stanza 14', numbered 1/12 and dated 1938 in pencil to margin
wood engraving
5 ½ x 4 ¾ inches
from the edition of 12 proofs
Robert Sargent Austin RA
Tethering a Goat, 1929
initialled RSA in plate; signed and dated 1st March 1929, inscribed '8th trial state' in pencil to margin
etching
5 1/2 x 5 inches
Gerald Leslie Brockhurst RA
Caspar, 1933
signed in pencil to margin
etching
7 1/2 x 6 inches
from the edition of 91
Gerald Leslie Brockhurst RA
Young Womanhood, 1931
signed in pencil to margin
etching
9 x 7 inches
from the edition of 111
Gerald Leslie Brockhurst RA
Amberley Boy No.2, 1928
signed and dated 1928 in plate; signed in pencil to margin
etching
7 1/2 x 5 3/4 inches
from the only published edition of 111 signed proofs in the completed state (137 in all)
Gerald Leslie Brockhurst RA
By the Window, 1922
inscribed 'To H. Poole' 'G. L. Brockhurst Trial' in pencil to margin
etching
5 ¼ x 4 inches
a trial proof preceding the published edition of 76
Gerald Leslie Brockhurst RA
The Mirror, 1920
signed in pencil to margin; inscribed '1 State G.L.B. 13 proofs thus in pencil' to sheet
etching
3 7/8 x 5 3/4 inches

13th impression, first state (of two), 68 impressions total
John Bulloch Souter
Gran Via, Madrid, c.1920
signed, titled and numbered III/3 in pencil to margin
etching
7 x 8 ¼ inches
Iain Macnab
Southern Landscape, 1933
signed, titled and numbered 52/75 in pencil to margin
wood engraving
8 x 9 ¾ inches • 20.3 x 24.8 cm
[gallery: London]
edition of 75
Stanley Anderson CBE RA RE
Segovia Cathedral, 1928
signed in pen to margin
drypoint
12 ¾ x 10 ½ inches
edition of 80
William Walcot
Municipal Buildings, Glasgow, 1918
signed in pencil to margin
etching and drypoint
2 ½ x 4 ¼ inches
Robert Polhill Bevan
Sale at Ward's Repository (Ward's No 2), 1921
lithograph
12 x 14 1/2 inches
edition of 50
James McBey
Glass Blowers, Murano, 1930
signed and numbered I in pen to margin; signed and inscribed 'Venice 22 September 1925' in plate
etching
5 x 6 inches
from the edition of 80 proofs
James McBey
A Tartane Leaving Venice, 1928
signed and numbered VII in pen; signed and inscribed 'Venice 12 October 1925' in plate; signed and titled by Martin Hardie in pencil to sheet
etching
6 1/2 x 12 1/4 inches
from the edition of 80 proofs
James McBey
Palazzo dei Camerlenghi, 1926
signed and numbered VIII in pen to margin; signed, inscribed 'Venice' and dated October 1925 in plate
etching
13 x 8 ½ inches
from the edition of 80 proofs
James McBey
Artist and Model (self-portrait), 1925
signed in pen to margin; inscribed 'Specimen proof for publ ed. MH 223' and signed Martin Hardie in pencil to sheet
etching
8 3/4 x 6 inches
2nd trial proof (of 9) preceding the edition of 510 proofs
James McBey
Macduff, 1922
signed and inscribed 'Trial Proof V' in pen to margin; inscribed 'Trial [IV striked through] V thin forcing ink, hard rag, [__] from crowd down', inscribed 'Written by McBey' and 'MacDuff 210' by Martin Hardie in pencil to sheet
etching
11 3/4 x 7 1/2 inches
5th trial proof (of 8) preceding the published edition of 76 proofs
James McBey
The Ebb Tide, 1922
signed and inscribed 'Trial IV' in pen to margin; signed twice by Martin Hardie in pencil to sheet
etching
8 1/2 x 13 3/4 inches
4th trial proof (of 12) preceding the published edition of 76 proofs
James McBey
The Moonlight Attack, Jelil, 1920
signed and numbered XXXVIII in pen to margin; signed, inscribed '19 September 1918 Jelil' and dated 1920 in plate
etching
9 x 15 1/4 inches
from the edition of 76 numbered and two additional proofs
James McBey
Boulogne, 1916
signed and numbered X in pen to margin; signed, inscribed 'Boulogne' and dated 1916 in plate
etching
8 x 11 1/2 inches
from the edition of 76 proofs
Sir Muirhead Bone HRSA HRWS
Portrait of Leonard Gow, 1927
signed in plate; signed in pencil to margin
etching
10 x 7 inches • 25.4 x 17.8 cm
[gallery: London]
artist's proof; fourth state
Sir Muirhead Bone HRSA HRWS
Shipbuilders, Whiteinch, 1893
signed in plate; signed, titled 'Shipbuilders - Whiteinch- and inscribed 'Set No. 19' in pencil to margin
etching and drypoint
11 ¼ x 8 ½ inches
Sir David Young Cameron RA RSA HRSW RE
The Scuir of Eigg, 1931
signed in pencil to margin
drypoint
4 ¾ x 6 ¾ inches
Sir David Wilkie RA HRSA
The Sedan Chair
etching
4 1/2 x 3 1/4 inches
Sir David Wilkie RA HRSA
Woman at a Window, Reading a Letter
etching
3 x 1 1/2 inches
Paul Sandby
Ruined abbey with travellers on the road, 1758
etching
6 x 8 ¼ inches
Paul Sandby
Ruined abbey, 1758
etching
6 x 8 ¼ inches
Paul Sandby
Ruins with a seated man, a covered wagon in the distance, 1758
etching
6 x 8 ¼ inches
Paul Sandby
Ruins with two women washing clothes in a river, 1758
etching
6 x 8 ¼ inches
Paul Sandby
Ruins by a river with a man in a boat, 1758
etching
6 x 8 ¼ inches
Paul Sandby
Ruined abbey with cattle and a man chopping wood, 1758
etching
6 x 8 ¼ inches
Paul Sandby
North View of Dumbarton Castle, 1753
signed in plate
etching
10 ¾ x 15 inches
Paul Sandby
Mountain Landscape, Scotland, c.1750
signed in plate
etching
8 ¼ x 6 ¼ inches
John Clerk of Eldin
Tower at Pembroke Castle
etching
3 x 6 1/4 inches
Sheet size: 11 x 16 3/4 inches
only state
John Clerk of Eldin
Durham
etching and drypoint
8 x 11 3/4 inches
2nd state
John Clerk of Eldin
Newark Castle, 1776
titled 'Newark to the Earl of Cassills', initialled 'JC', dated 1776 and inscribed 'No.53'
etching and drypoint
4 x 6 ¼ inches
10.2 x 15.9 cm
3rd state
John Clerk of Eldin
Arthur's Seat from Lochend, 1774
initialled, dated and titled 'The hill of Arthur's Seat and Town of Edinburgh to Lochend' in plate
etching
5 3/4 x 15 1/4 inches
only state
John Clerk of Eldin
Salisbury from Wilton Park, 1772
initialled 'JC', dated 1772
etching and drypoint
4 3/4 x 6 1/2 inches
Sheet size: 11 x 16 3/4 inches
3rd state

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