Spring '21
Celebrating our return to the gallery on Carnaby Street, Spring '21 revisits a grand old Fine Art Society tradition of holding mixed shows comprised of decorative arts and furniture alongside paintings, prints and sculpture. Shown across two floors of our new Georgian townhouse gallery, Spring '21 represents the diversity of artwork that passes through the gallery - from late nineteenth century works by James Whistler and Walter Greaves, to early twentieth century pictures including Walter Sickert, and the British Post-Impressionists Clare Atwood and Spencer Gore. Eric Ravilious' 1937 lithograph, Newhaven Harbour, leads our print offering alongside other works by Modern British Artists including Maxwell Ashby Armfield, Edward Bawden, Augustus Edwin John, Richard Eurich, and David Bomberg. Keith Coventry tops the bill with his Hertford Estate, 1996, a nod to the modernist utopia of post-war Britain.
All artworks are for sale. Please contact the gallery directly for enquiries at london@thefineartsociety.com or call 020 7629 5116
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Edward Bawden, Daffodils
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Keith Coventry, Hertford Estate, 1996
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Maxwell Ashby ArmfieldThree featherssigned with monogram and numbered 'OP / 253'tempera on canvas laid on board10 x 12 1/8 inches
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Eric RaviliousNewhaven Harbour, 1937autolithograph in colours, on machine made lithographic cartridge paper, unsigned as issued, from the proposed edition of approximately 400, printed by Curwen Press Ltd., London, published by Contemporary Lithographs Ltd., LondonLithograph22 1/8 x 31 7/8 in
56 x 81 cm -
David BombergLandscape, Cornwall, 1947signed 'Bomberg'
oil on paper
30.5 x 42 cm 12 x 16 1/2 inches -
Augustus Edwin John OMHead of Doreliasigned 'John', lower rightPencil and crayon11 3/4 x 8 1/4 in
29.8 x 21 cm -
Richard Eurich OBEYoung Man with a Horse, 1928Signed and dated, lower leftPencil on paper35.5 x 25.5 cm.
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Clare AtwoodDawn Breaking at Old Billingsgate, 1910signed and datedoil on canvas36 x 30 in
91.4 x 76.2 cm -
Sir Eduardo Paolozzi, Untitled (Relief), c.1949-50
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Walter Richard SickertSainte Marguerite sur Mer, 1903signed and dated Sickert 1903, lower left: inscribed verso, in another hand, Dinant 30fOil on board9 1/2 x 7 1/2 in
24.1 x 19.1 cm -
Gilbert Bayes FRBSThe Challenger, 1944signed, titled and dated 1944 to basebronzeheight 25 1/2 inches
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Walter Richard SickertTipperary, 1914signed and dated 1914oil on canvas20 x 16 in
50.8 x 40.6 cm -
James McNeill WhistlerGirl with Bowl , 1895Lithograph, signed in pencil with a butterfly, lower left, and annotated' No 10', verso, printed in black ink on laid paper, watermark Arms of Bollo Reale Toscano with Fleur de Lys countermark, from the edition of 12 impressions printed by Thomas Way; there was also an edition of 600 printed by Lemercier in Paris and published in L’Ymagier in October 1895 and a posthumous edition of 45 printed by Frederick Goulding in March 19045 1/4 x 2 1/2 inches (13.6 x 6.7 cm);
Sheet 8 1/4 x 5 3/4 inches (21 x 14.5 cm) -
James McNeill WhistlerNocturne, 1879-80signed in pencil with a butterfly and inscribed 'imp'etching7 3/4 x 11 1/2 inchesan impression in the fifth (final) state: published in 'Twelve Etchings' the First Venice Set (No.4), 1880 in an edition of 100
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James McNeill WhistlerThe Embroidered Curtain, 1889signed in pencil with a butterfly and inscribed 'imp'etching9 1/2 x 6 1/4 inchesa proof in the seventh state of ten
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Gerald SummersDinner Wagon, 1935Makers of Simple Furniture (manufacturer)
1935-1939 (manufactured)
birch plywood
26 x 16 x 28 inches -
Marcel BreuerDining Chair, 1936Isokon Furniture Company (manufacturer)
laminated birch and birch plywood
29 1/2 x 16 1/4 x 20 1/4 inches -
George Carwardine‘Anglepoise’ lamp 1227, 1938Herbert Terry & Sons (manufacturer); designed 1935metal with Bakelite switch mechanism
37 1/2 inches x 18 1/2 inches x 6 inches extended
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Alfred Burgess ReadTable lampTroughton & Young Ltd. England (manufacturer)anodised aluminium shade and stem, steel base, enamelled black15 x 15 x 15 inches
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Spencer Frederick GoreA Garden Square in Camden Town, 1910oil on canvas
52 x 60 cm 20 1/2 x 23 5/8 inches -
Walter GreavesOld Chelsea, the Last Regatta, c.1871signed and inscribed 'Old Chelsea’s Last Regatta by Walter Greaves 525 Fulham Road, Walham Green'oil and gouache over etching on paper10 1/4 x 21 3/4 inches
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Denis MitchellAbstract Composition, c 1951signed and indistinctly numbered from the edition of 10woodcut9 3/4 x 9 7/8 inches
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Keith MurrayVase, c.1936acid-etched signature to underside of base; Stevens & Williams Ltd. (producer)Purple and clear cased glass with controlled bubble decoration, raised on a clear glass footheight 7 1/2 inches
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Keith MurrayVase, Model no. 1147a, c.1936Stevens & Williams Ltd. (producer)Purple and clear cased glass with controlled bubble decoration
height 8 inches -
Bertram NichollsCottage in Tuscanyoil on canvas15 1/8 x 12 7/8 inches
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Julian TrevelyanMountain Village, Italy, 1930signed
oil on board
12 5/8 x 16 inches -
Lill TschudiIn the Circus, 1932signed, numbered 18/50 USA and inscribed 'Handpoint' in pencillinocut9 1/2 x 10 1/4 inches
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Robert MacbrydeStill Life with Bones, c.1959signed; inscribed with title on stretcher versooil on canvas18 x 20 inches
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Robert Polhill BevanSale at Ward's Repository (Ward's No 2), 1921lithograph12 x 14 1/2 inchesedition of 50
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Samuel Palmer, Christmas (Alexander 4), 1850
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Samuel PalmerThe Skylark, 1850printed in black ink on chine applique, on a backing sheet of wove paper, as published in Etchings for the Art Union of London by the Etching Club, 1857 plate 17: in the seventh state (of eight)4 3/4 x 3 7/8 inches (12.1 x 9.9 cm);
Sheet 14 5/8 x 10 1/2 inches (36.5 x 26.7 cm) -
Leon Augustin LhermitteBourges, Une Rue, c.1885signedpastel on buff paper12 x 9 inches
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Leon Augustin LhermitteUne rue a Bourges, c.1885signed with initialspastel on buff paper12 x 9 inches