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Edwin Alexander RSA RSW, White Campion£ 1,200.00 -
Edwin Alexander RSA RSWBramble and purple vetchsigned with monogrampencil and watercolour heightened with bodycolour on oatmeal paper12 ½ x 7 inchesEdwin Alexander RSA RSW, Bramble and purple vetch£ 1,900.00 -
Arts and Crafts movement, ‘Gypsy’ cricket table, c.1870£ 800.00 -
Henry William BatleyAesthetic Movement corner cabinet, c.1880oak with painted decoration and mirrored glass panels47 ¼ x 11 ¼ x 7 inchesHenry William Batley, Aesthetic Movement corner cabinet, c.1880£ 2,500.00 -
John Blair, Stormy Weather, Crail, 1894£ 3,500.00 -
Sam Bough RSA RSW, Low tide£ 1,900.00 -
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Alexander CarseThe Travelling Clothier, Edinburgh in the Distance, 1812initialled and dated 'A.C. 1812'oil on canvas23 x 30 inchesAlexander Carse, The Travelling Clothier, Edinburgh in the Distance, 1812£ 7,000.00 -
Alexander CarseA travelling clothier outside an inn, 1831signed and dated 1831oil on canvas25 ¼ x 30 inchesAlexander Carse, A travelling clothier outside an inn, 1831£ 4,800.00 -
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James Couper & Sons, Glasgow (maker)Clutha juggreen glass with white and aventurine inclusions4 ¼ x 5 ½ x 5 ¼ inches (11 x 14 x 13 cm)James Couper & Sons, Glasgow (maker), Clutha jug£ 850.00 -
James Couper & Sons, Glasgow (maker)Clutha jar and stopper, late 1890sgreen glass with opaque trailed inclusionsheight: 11 ½ inches (29 cm)James Couper & Sons, Glasgow (maker), Clutha jar and stopper, late 1890s£ 1,800.00 -
Aimé-Jules Dalou, Terrassier, c.1910£ 1,200.00 -
Christopher Dresser (attributed)Hot water can, c.1885for Benham and Froud, London (makers)brass9 ½ x 10 ¼ x 5 ¼ inches (24 x 26 x 13 cm)Christopher Dresser (attributed), Hot water can, c.1885£ 350.00 -
Christopher DresserPlatefor Linthorpe Pottery (maker)
stamped 'Linthorpe', 'Chr. Dresser' and '299' on the reverseglazed stoneware10 ¾ x 10 ¾ x 1 ½ inches (27 x 27 x 4 cm)Christopher Dresser, Plate£ 450.00 -
Christopher DresserChargerfor Linthorpe Pottery (maker)
stamped 'Linthorpe', 'Chr. Dresser' and '658' on the reverseglazed earthenware13 ¼ x 13 ¼ x 1 ¾ inches (33.5 x 33.5 x 4.5 cm)Christopher Dresser, Charger£ 550.00 -
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James Faed JnrAn Autumn Study, 1895signed and dated 'Autumn 1895'; signed and titled on artist's label versooil on panel8 ¾ x 11 ¾ inchesJames Faed Jnr, An Autumn Study, 1895£ 1,500.00 -
Thomas Faed RA ARSAFrom dawn to sunset, first thoughts, c.1860signed; inscribed by the artist on label verso: 'From dawn to sunset - first thoughts'watercolour3 ½ x 5 ¾ inchesThomas Faed RA ARSA, From dawn to sunset, first thoughts, c.1860£ 750.00 -
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Edward William Godwin (attributed)Aesthetic movement campaign chair, c.1880satin birch with caned seat27 x 15 x 25 inches
69 x 38 x 63 cmEdward William Godwin (attributed), Aesthetic movement campaign chair, c.1880£ 480.00 -
Edward William Godwin (attributed)Oak pedestal desk, c.1880oak with leather top and brass handles30 ¾ x 48 ½ x 24 inches (78 x 123 x 61 cm)Edward William Godwin (attributed), Oak pedestal desk, c.1880£ 6,000.00 -
Sir John Watson Gordon RA PRSAPortrait of a Lady, 1825signed and dated 1825oil on canvas30 x 25 inchesSir John Watson Gordon RA PRSA, Portrait of a Lady, 1825£ 4,800.00 -
William Hackstoun, Autumn, 1894£ 1,800.00 -
James Watterston HeraldTravelling Fair, 1890signed and dated 90watercolour on paper6 ¾ x 9 ¾ inches (17 x 25 cm)James Watterston Herald, Travelling Fair, 1890£ 3,800.00 -
James Watterston HeraldGrouville Bay, Jersey, 1898signed, dated '98 and inscribed with titlewatercolour13 ¾ x 8 ¼ inches (35 x 21 cm)James Watterston Herald, Grouville Bay, Jersey, 1898£ 1,800.00 -
James Howe, Horse tethered in a stable£ 1,200.00 -
James HoweSir Malcolm Fleming of Barochan (1745-1811) with his falconer John Anderson, 1811oil on canvas19 x 27 inches (48.3 x 68.6 cm)James Howe, Sir Malcolm Fleming of Barochan (1745-1811) with his falconer John Anderson, 1811£ 4,800.00 -
Alexander Johnston, A Stolen Glance£ 4,800.00 -
William Kidd HRSA, The Toast£ 1,800.00 -
William Kidd HRSA, An alehouse altercation£ 4,000.00 -
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John Knox, The Ferryman£ 6,500.00 -
John Henry Lorimer RSA RSW RWS RPA Fisherman's Strong, Cove, 1887signed and dated 1887oil on canvas20 x 27 inchesJohn Henry Lorimer RSA RSW RWS RP, A Fisherman's Strong, Cove, 1887£ 7,500.00 -
William McTaggart RSA RSW, A Frosty Morning£ 2,200.00 -
William McTaggart RSA RSW, A croft interior£ 3,500.00 -
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John Milne DonaldOn the Kelvin, 1854signed and dated 54; titled on exhibition label versooil on canvas18 ¼ x 22 ½ inchesJohn Milne Donald, On the Kelvin, 1854£ 6,500.00 -
Patrick NasmythTintern Abbey, 1827signed and dated 1827 on panel verso; inscribed on label verso “This picture landscape / with Tintern Abbey in the distance / was bought from Peter Nasmyth by John Hampa and sold by / him to Lord Murray for 30 guineas / and was bought by me after / Lord Murray's death for / John Burt Esq. M.D. / D Bruce”; inscribed on panel verso “No 24 / P... Nasmyth / Lon... / 1827”oil on panel7 ¼ x 9 ¾ inchesPatrick Nasmyth, Tintern Abbey, 1827£ 3,800.00 -
Sir William Quiller Orchardson RAStudy for a composition, possibly a Nativityoil and pencil on canvas7 ½ x 14 ¼ inchesSir William Quiller Orchardson RA, Study for a composition, possibly a Nativity£ 2,200.00 -
Sir William Quiller Orchardson RAA Kent cottage interiorsigned with initialsoil on canvas14 x 21 inchesSir William Quiller Orchardson RA, A Kent cottage interior£ 2,500.00 -
John PearsonRepoussé decorated charger, 1898engraved verso 'Pearson / 1898 / 2403'copperdiameter 15 ¼ inches (39 cm)John Pearson, Repoussé decorated charger, 1898£ 750.00 -
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John Pollard SeddonJardiniere, 1877CJC Bailey, Fulham Pottery (maker)
salt glazed stoneware8 ½ x 12 ¼ inchesJohn Pollard Seddon, Jardiniere, 1877£ 1,800.00 -
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Sir John Tenniel RISketch for The Great Industrial Meeting of All Nations, 1851dated 1851oil on canvas11 x 20 inches (28 x 51 cm)Sir John Tenniel RI, Sketch for The Great Industrial Meeting of All Nations, 1851£ 5,500.00 -
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Charles Francis Annesley VoyseyVentilation grille/trivet, c.1892possibly manufactured by Comyn Ching & Co., Ipswich, or T. Elsley & Co.cast iron6 x 13 ½ x 8 ½ inches (15 x 34 x 21.5 cm)Charles Francis Annesley Voysey, Ventilation grille/trivet, c.1892£ 2,400.00 -
George Walton (attributed)Glasgow School chandelier, c.1890copper, brass and wrought iron9 ½ x 23 ½ inches (24 x 60 cm)
chain length: 62 inches (157 cm)George Walton (attributed), Glasgow School chandelier, c.1890£ 4,800.00 -
Philip Webb (attributed)Four 'Sussex' chairs, c.1880for Morris & Co.ebonised oak with rush seats16 1/2 x 16 ½ x 13 ¾ inches eachPhilip Webb (attributed), Four 'Sussex' chairs, c.1880£ 2,200.00 -
James McNeill WhistlerLa Rétameuse, 1858signed and inscribed 'Imp. Delatre. Rue St. Jacques. 171.' in plate; printed in black ink on wove paperetchingan impression in the second (final) state4 ½ x 3 ½ inches (11.2 x 8.9 cm)James McNeill Whistler, La Rétameuse, 1858£2,000 + 5% import duty -
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James McNeill WhistlerC. L. Drouet, Sculptor, 1859signed, dated 1859, inscribed 'Whistler Maitre Eaufortier' and 'Drouet. Sculpteur.' in plate; printed in black ink on laid paperetching and drypointan impression in the second (restored) state9 x 6 inches (22.6 x 15.2 cm)James McNeill Whistler, C. L. Drouet, Sculptor, 1859£1,200 + 5% import duty -
James McNeill WhistlerBillingsgate, 1859signed and dated 1859 in plate; printed in black ink on thin Japan paperetching and drypointan impression in the eighth (final) state6 x 8 ¾ inches (15.2 x 22.3 cm)James McNeill Whistler, Billingsgate, 1859£4,000 + 5% import duty -
James McNeill WhistlerLimehouse, 1859signed and dated 1859 in plate; printed in black ink on thin Japan paperetching and drypointan impression in the third (final) state5 x 8 inches (12.8 x 20.4 cm)James McNeill Whistler, Limehouse, 1859£6,500 + 5% import duty -
James McNeill WhistlerThe Forge, 1861signed and dated 1861 in plate; printed in black ink on thin Japan paperdrypointan impression in the sixth (final) state7 ¾ x 12 ½ inches (19.7 x 31.9 cm)James McNeill Whistler, The Forge, 1861£2,000 + 5% import duty -
James McNeill WhistlerOld Hungerford Bridge, 1861signed in plate; printed in black ink on laid paperetching and drypointan impression in the fourth (final) state5 ½ x 8 ½ inches (14 x 21.5 cm)James McNeill Whistler, Old Hungerford Bridge, 1861£2,000 + 5% import duty -
James McNeill WhistlerBattersea Dawn (Cadogan Pier), 1863signed with the butterfly in pencil to margin; signed in plate; printed in black ink on laid paperetching and drypointan impression in the second (final) state4 ½ x 6 inches (11.5 x 15.3 cm)James McNeill Whistler, Battersea Dawn (Cadogan Pier), 1863£4,500 + 5% import duty -
James McNeill WhistlerThe Doorway, 1879-80signed with the butterfly and inscribed 'imp.' in pencil to margin; printed in dark brown/warm black ink on laid paper, trimmed at the platemark leaving a signature tabetching and drypointan impression in the ninth state (of twenty), published by The Fine Art Society in Venice, a Series of Twelve Etchings (the ‘First Venice Set’), 1880, no. 511 ½ x 8 inches (29.2 x 20 cm) -
Sir David Wilkie RA HRSAA sketch for 'The Chelsea Pensioners reading the Waterloo Dispatch'ink on paper4 ¾ x 4 ½ inchesSir David Wilkie RA HRSA, A sketch for 'The Chelsea Pensioners reading the Waterloo Dispatch'£ 1,400.00 -
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Hugh William WilliamsCastle Campbell, 'The Castle of Gloom', c.1810pencil and watercolour26 ¼ x 35 ¼ inchesHugh William Williams, Castle Campbell, 'The Castle of Gloom', c.1810£ 5,800.00 -
William Heath WilsonA view of Florence from Monte Alle Croci, 1874signed and dated 1874oil on canvas12 ½ x 21 ¾ inches (32 x 55 cm)William Heath Wilson, A view of Florence from Monte Alle Croci, 1874£ 6,500.00
