Artworks

Sort
Medium
Period
Submit
  • John Moyr Smith, Ebonised Cabinet, 1870s
    John Moyr Smith
    Ebonised Cabinet, 1870s
    for Collinson & Lock (maker)
    ebonised carved wood with mirrors and brass handles
    66 x 54 x 17 inches (167 x 137 x 43 cm)
    Enquire
  • John Bulloch Souter, Girl with Guitar
    John Bulloch Souter
    Girl with Guitar
    pencil on buff paper
    14 ½ x 20 inches (36.8 x 50.8 cm)
    Enquire
    John Bulloch Souter, Girl with Guitar
    £ 1,200 + 4% ARR
  • Austin Osman Spare, Inbetweenness, 1946
    Austin Osman Spare
    Inbetweenness, 1946
    inscribed with initials and dated 46; titled on exhibition label verso
    oil on panel
    14 x 16 inches
    Enquire
  • Rupert Spira, Shallow bowl
    Rupert Spira
    Shallow bowl
    stoneware
    2 ½ x 6 ¾ x 6 ¾ inches
    Enquire
    Rupert Spira, Shallow bowl
    £ 650.00
  • Fred Stiven, Harbour Box, 1972
    Fred Stiven
    Harbour Box, 1972
    signed and dated '72, signed and titled verso
    mixed media construction
    13 ½ x 11 x 2 ¾ inches
    Enquire
    Fred Stiven, Harbour Box, 1972
    £ 1,800 + 4% ARR
  • Alick Riddell Sturrock RSA, Country Farmhouse
    Alick Riddell Sturrock RSA
    Country Farmhouse
    signed
    oil on canvas
    16 x 20 inches
    Enquire
    Alick Riddell Sturrock RSA, Country Farmhouse
    £ 2,800.00
  • Graham Sutherland OM, Tree Root, c.1939
    Graham Sutherland OM
    Tree Root, c.1939
    ink and watercolour on paper
    9 x 6 ¾ inches (23 x 17 cm)
    Enquire
  • Ernest Archibald Taylor, Carse Farm, New Abbey
    Ernest Archibald Taylor
    Carse Farm, New Abbey
    signed and inscribed 'Carse Farm' in pencil to margin
    watercolour
    8 ½ x 10 ¾ inches
    Enquire
    Ernest Archibald Taylor, Carse Farm, New Abbey
    £ 1,500.00
  • Sir John Tenniel RI, Sketch for The Great Industrial Meeting of All Nations, 1851
    Sir John Tenniel RI
    Sketch for The Great Industrial Meeting of All Nations, 1851
    dated 1851
    oil on canvas
    11 x 20 inches (28 x 51 cm)
    Enquire
  • Rev. John Thomson of Duddingston HRSA, Innerwick Castle, c.1827
    Rev. John Thomson of Duddingston HRSA
    Innerwick Castle, c.1827
    oil on canvas
    36 ½ x 54 ¾ inches (93 x 139 cm)
    Enquire
  • Charles Frederick Tunnicliffe RA, The Thief, 1928
    Charles Frederick Tunnicliffe RA
    The Thief, 1928
    monogrammed and dated 28 in plate; signed and numbered 51/75 in pencil to margin
    etching
    edition of 75
    6 x 9 inches (15.2 x 23 cm)
    Enquire
    Charles Frederick Tunnicliffe RA, The Thief, 1928
    £ 750.00
  • George Tytler, Panoramic view of Edinburgh and Leith, 1822
    George Tytler
    Panoramic view of Edinburgh and Leith, 1822
    inscribed "drawn on Stone by G. Tytler (46 Essex Street, Strand) from an Original Landscape taken on the Spot 1822 / G. Tytler del. Aug. 1822 / Printed and Published after the [...]"
    hand coloured lithograph on three sheets
    83 ¾ x 9 ½ inches
    Enquire
  • Keith Vaughan, Landscape with whistling boy, Yorkshire, 1945
    Keith Vaughan
    Landscape with whistling boy, Yorkshire, 1945
    signed and dated 45; titled and dated on artist's label verso
    gouache and ink on paper
    11 x 14 ½ inches
    27.9 x 36.8 cm
    Enquire
  • Keith Vaughan, Boy Seated, 1946
    Keith Vaughan
    Boy Seated, 1946
    signed and dated 46
    pastel and wash on paper
    15 ¾ x 11 inches
    Enquire
  • Johann Heinrich Vogeler, Table and chairs (pair), c.1910
    Johann Heinrich Vogeler
    Table and chairs (pair), c.1910
    for Worpsweder Werkstätte (maker)
    incised marks 'H V/ W' on reverse of chair seats (Heinrich Vogeler, Worpsweder Werkstätte)
    oak and drop in rush seats
    table: 28 ½ x 35 ½ x 29 ½ inches (72.5 x 90 x 75 cm)
    chair: 39 ¼ x 18 ½ x 18 inches (100 x 47 x 46 cm)
    Enquire
    Johann Heinrich Vogeler, Table and chairs (pair), c.1910
    £ 3,200.00 for the set
  • Charles Francis Annesley Voysey (attributed), Donegal carpet, c.1900
    Charles Francis Annesley Voysey (attributed)
    Donegal carpet, c.1900
    manufactured by Alexander Morton & Co., Scotland (Donegal Carpet Industry) for Liberty & Co., London
    hand-knotted wool
    157 x 128 inches (400 x 325 cm)
    Enquire
  • Charles Francis Annesley Voysey, Tulip and Poppy, c.1890s
    Charles Francis Annesley Voysey
    Tulip and Poppy, c.1890s
    designed for Tomkinson & Adams, Kidderminster, England; signed on front 'C.F.A. Voysey'
    watercolour on squared paper
    18 x 12 inches
    Enquire
    Charles Francis Annesley Voysey, Tulip and Poppy, c.1890s
    £ 3,500.00
  • Charles Francis Annesley Voysey, Ventilation grille/trivet, c.1892
    Charles Francis Annesley Voysey
    Ventilation grille/trivet, c.1892
    possibly manufactured by Comyn Ching & Co., Ipswich, or T. Elsley & Co.
    cast iron
    6 x 13 ½ x 8 ½ inches (15 x 34 x 21.5 cm)
    Enquire
    Charles Francis Annesley Voysey, Ventilation grille/trivet, c.1892
    £ 2,400.00
  • Charles Francis Annesley Voysey, Looking Glass, c.1905
    Charles Francis Annesley Voysey
    Looking Glass, c.1905
    for Arthur W. Simpson (1879-1922) (attributed maker)
    labelled 'The Victorian Society / 000071’
    oak with brass hardware
    21 ¾ x 22 ¾ x 7 inches (55.5 x 57.5 x 18 cm)
    Enquire
  • Edward Arthur Walton RSA PRSW, November, 1883
    Edward Arthur Walton RSA PRSW
    November, 1883
    signed and dated 'E. A. Walton 83.'; signed and inscribed 'November by E. A. Walton 134 Bath St Glasgow' on canvas verso
    oil on canvas
    42 ¼ x 60 inches
    Enquire
  • Robert Welch, Decanter, 1968
    Robert Welch
    Decanter, 1968
    hallmarked to collar; Birmingham, 1973
    blown glass with silver stopper
    height: 11 ¾ inches (30 cm)
    Enquire
    Robert Welch, Decanter, 1968
    £ 1,800.00
  • Robin Welch, Deep stoneware bowl
    Robin Welch
    Deep stoneware bowl
    impressed 'RW' to base
    stoneware with white and grey textured glaze
    7 x 9 ¼ inches
    Enquire
    Robin Welch, Deep stoneware bowl
    £ 500.00
  • Robin Welch, Oval vessel
    Robin Welch
    Oval vessel
    impressed with maker's mark to side
    partially glazed stoneware
    11 ¾ x 6 ¼ x 3 ¾ inches
    Enquire
    Robin Welch, Oval vessel
    £ 850.00
  • Robin Welch, Tapered oval vessel
    Robin Welch
    Tapered oval vessel
    impressed with maker's mark to base
    stoneware
    14 ¼ x 4 ¾ x 6 ¼ inches (36 x 12 x 16 cm)
    Enquire
    Robin Welch, Tapered oval vessel
    £ 950.00
  • Robin Welch, Banded bottle vase, 1990
    Robin Welch
    Banded bottle vase, 1990
    impressed RW 90 to base
    stoneware with porcelain top
    21 ¾ x 7 ¾ x 7 ¾ inches
    Enquire
    Robin Welch, Banded bottle vase, 1990
    £ 1,600 + 4% ARR
  • James McNeill Whistler, La Rétameuse, 1858
    James McNeill Whistler
    La Rétameuse, 1858
    signed and inscribed 'Imp. Delatre. Rue St. Jacques. 171.' in plate; printed in black ink on wove paper
    etching
    an impression in the second (final) state
    4 ½ x 3 ½ inches (11.2 x 8.9 cm)
    Enquire
    James McNeill Whistler, La Rétameuse, 1858
    £2,000 + 5% import duty
  • James McNeill Whistler, Venus, 1859
    James McNeill Whistler
    Venus, 1859
    signed and dated 1859 in plate; printed in black ink on laid paper
    etching and drypoint
    an impression in the second (final) state: there was no published edition
    6 x 9 inches (15.2 x 23 cm)
    Enquire
  • James McNeill Whistler, C. L. Drouet, Sculptor, 1859
    James McNeill Whistler
    C. L. Drouet, Sculptor, 1859
    signed, dated 1859, inscribed 'Whistler Maitre Eaufortier' and 'Drouet. Sculpteur.' in plate; printed in black ink on laid paper
    etching and drypoint
    an impression in the second (restored) state
    9 x 6 inches (22.6 x 15.2 cm)
    Enquire
    James McNeill Whistler, C. L. Drouet, Sculptor, 1859
    £1,200 + 5% import duty
  • James McNeill Whistler, Old Westminster Bridge, 1859
    James McNeill Whistler
    Old Westminster Bridge, 1859
    signed and dated 1859 in plate; printed in black ink on laid paper
    etching and drypoint
    an impression in the third state (of four)
    3 x 8 inches (7.6 x 20.4 cm)
    Enquire
    James McNeill Whistler, Old Westminster Bridge, 1859
    £1,500 + 5% import duty
  • James McNeill Whistler, Eagle Wharf, 1859
    James McNeill Whistler
    Eagle Wharf, 1859
    signed and dated 1859 in plate; printed in black ink on laid paper
    etching
    an impression in the first (only) state
    5 ½ x 8 ½ inches (14 x 21.7 cm)
    Enquire
    James McNeill Whistler, Eagle Wharf, 1859
    £3,000 + 5% import duty
  • James McNeill Whistler, The Pool, 1859
    James McNeill Whistler
    The Pool, 1859
    signed and dated 1859 in plate; printed in black ink on laid paper
    etching and drypoint
    an impression in the sixth (final) state
    5 ½ x 8 ½ inches (14 x 21.7 cm)
    Enquire
    James McNeill Whistler, The Pool, 1859
    £3,500 + 5% import duty
  • James McNeill Whistler, Billingsgate, 1859
    James McNeill Whistler
    Billingsgate, 1859
    signed and dated 1859 in plate; printed in black ink on thin Japan paper
    etching and drypoint
    an impression in the eighth (final) state
    6 x 8 ¾ inches (15.2 x 22.3 cm)
    Enquire
    James McNeill Whistler, Billingsgate, 1859
    £4,000 + 5% import duty
  • James McNeill Whistler, Black Lion Wharf, 1859
    James McNeill Whistler
    Black Lion Wharf, 1859
    signed and dated 1859 in plate; printed in black ink on laid paper
    etching
    an impression in the fourth (final) state
    6 x 9 inches (15.3 x 22.9 cm)
    Enquire
    James McNeill Whistler, Black Lion Wharf, 1859
    £5,000 + 5% import duty
  • James McNeill Whistler, Limehouse, 1859
    James McNeill Whistler
    Limehouse, 1859
    signed and dated 1859 in plate; printed in black ink on thin Japan paper
    etching and drypoint
    an impression in the third (final) state
    5 x 8 inches (12.8 x 20.4 cm)
    Enquire
    James McNeill Whistler, Limehouse, 1859
    £6,500 + 5% import duty
  • James McNeill Whistler, The Forge, 1861
    James McNeill Whistler
    The Forge, 1861
    signed and dated 1861 in plate; printed in black ink on thin Japan paper
    drypoint
    an impression in the sixth (final) state
    7 ¾ x 12 ½ inches (19.7 x 31.9 cm)
    Enquire
    James McNeill Whistler, The Forge, 1861
    £2,000 + 5% import duty
  • James McNeill Whistler, Old Hungerford Bridge, 1861
    James McNeill Whistler
    Old Hungerford Bridge, 1861
    signed in plate; printed in black ink on laid paper
    etching and drypoint
    an impression in the fourth (final) state
    5 ½ x 8 ½ inches (14 x 21.5 cm)
    Enquire
    James McNeill Whistler, Old Hungerford Bridge, 1861
    £2,000 + 5% import duty
  • James McNeill Whistler, Battersea Dawn (Cadogan Pier), 1863
    James McNeill Whistler
    Battersea Dawn (Cadogan Pier), 1863
    signed with the butterfly in pencil to margin; signed in plate; printed in black ink on laid paper
    etching and drypoint
    an impression in the second (final) state
    4 ½ x 6 inches (11.5 x 15.3 cm)
    Enquire
    James McNeill Whistler, Battersea Dawn (Cadogan Pier), 1863
    £4,500 + 5% import duty
  • James McNeill Whistler, The Doorway, 1879-80
    James McNeill Whistler
    The Doorway, 1879-80
    signed with the butterfly and inscribed 'imp.' in pencil to margin; printed in dark brown/warm black ink on laid paper, trimmed at the platemark leaving a signature tab
    etching and drypoint
    an impression in the ninth state (of twenty), published by The Fine Art Society in Venice, a Series of Twelve Etchings (the ‘First Venice Set’), 1880, no. 5
    11 ½ x 8 inches (29.2 x 20 cm)
    Enquire
  • James McNeill Whistler, The Traghetto, No. 2, 1880
    James McNeill Whistler
    The Traghetto, No. 2, 1880
    signed with the butterfly and inscribed 'imp' in pencil to margin; signed with the butterfly in plate; printed in black ink on laid paper, watermark circle of pearls
    etching and drypoint
    an impression in the fifth state (of nine)
    9 ½ x 12 inches (24 x 31 cm)
    Enquire
  • Whytock & Reid, Edinburgh (maker), A pollarded oak writing table, c.1930
    Whytock & Reid, Edinburgh (maker)
    A pollarded oak writing table, c.1930
    in the manner of Sir Robert Lorimer, the rectangular cross banded top with leather inset above a central drawer flanked by two short drawers on moulded legs ending in pointed toes.
    oak
    30 ¼ x 48 ¼ x 24 ¼ inches (77 x 123 x 62 cm)
    Enquire
    Whytock & Reid, Edinburgh (maker), A pollarded oak writing table, c.1930
    £ 2,500.00
  • Sir David Wilkie RA HRSA, A sketch for 'The Chelsea Pensioners reading the Waterloo Dispatch'
    Sir David Wilkie RA HRSA
    A sketch for 'The Chelsea Pensioners reading the Waterloo Dispatch'
    ink on paper
    4 ¾ x 4 ½ inches
    Enquire
    Sir David Wilkie RA HRSA, A sketch for 'The Chelsea Pensioners reading the Waterloo Dispatch'
    £ 1,400.00
  • Sir David Wilkie RA HRSA, Young Girl with a Dog, 1829
    Sir David Wilkie RA HRSA
    Young Girl with a Dog, 1829
    inscribed 'D Wilkie January 19th 1829'
    pencil and watercolour with ink on paper
    8 x 6 ¾ inches (20 x 17 cm)
    Enquire
  • Sir David Wilkie RA HRSA, Exterior of a farmhouse with a pump and poultry, c.1815-1816
    Sir David Wilkie RA HRSA
    Exterior of a farmhouse with a pump and poultry, c.1815-1816
    oil on panel
    8 ¼ x 12 inches (21 x 30.5 cm)
    Enquire
  • Hugh William Williams, Castle Campbell, 'The Castle of Gloom', c.1810
    Hugh William Williams
    Castle Campbell, 'The Castle of Gloom', c.1810
    pencil and watercolour
    26 ¼ x 35 ¼ inches
    Enquire
    Hugh William Williams, Castle Campbell, 'The Castle of Gloom', c.1810
    £ 5,800.00
  • William Heath Wilson, A view of Florence from Monte Alle Croci, 1874
    William Heath Wilson
    A view of Florence from Monte Alle Croci, 1874
    signed and dated 1874
    oil on canvas
    12 ½ x 21 ¾ inches (32 x 55 cm)
    Enquire
    William Heath Wilson, A view of Florence from Monte Alle Croci, 1874
    £ 6,500.00
  • Emily Young FRBS, The Serpent Head, 2025
    Emily Young FRBS
    The Serpent Head, 2025
    serpentinite
    15 ¾ x 8 ¾ x 11 ¾ inches (40 x 22 x 30 cm)
    Enquire
Previous page
|
Next page
Page
 5 
of 5