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James Stuart Park, Orchids£ 3,800.00 -
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Waller Hugh Paton RSA RSWArdentinny on the Clyde, 1872signed and dated 1872; titled on gallery label versowatercolour13 ¾ x 25 inchesWaller Hugh Paton RSA RSW, Ardentinny on the Clyde, 1872£ 3,200.00 -
John Pearson, Repoussé decorated deep rim bowl£ 1,500.00 -
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Sir George Pirie PRSA HRSW, A Khaki Campbell Duck£ 6,500.00 -
Monica PooleBeachcombingsigned, titled and numbered 14/75 in pencil to marginwood engravingedition of 752 ½ x 3 ¾ inches (6.3 x 9.5 cm)Monica Poole, Beachcombing£ 1,600 + 4% ARR -
Monica PooleApple Tree, 1961signed, titled and dated '61 in pencil to marginwood engraving8 ¾ x 5 ¾ inches (22.2 x 14.6 cm)Monica Poole, Apple Tree, 1961£ 2,500 + 4% ARR -
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William Thomas RawlinsonBeechwood Near Broadway, Worcestershire, 1966signed, titled, numbered 12/50 and dated 1966 in pencil to marginwood engravingedition of 508 ½ x 12 inches
sheet: 11 x 13 3/4 inchesWilliam Thomas Rawlinson, Beechwood Near Broadway, Worcestershire, 1966£ 850.00 -
Anne Redpath OBE ARA RSAGreetings from Anneinscribed 'Greetings from Anne'hand-coloured lithograph7 ¼ x 4 ¾ inchesAnne Redpath OBE ARA RSA, Greetings from Anne£ 750.00 -
John Robertson ReidOn the Road to Kildonnan - Arran, 1910signed and dated 1910; signed, titled and dated 1909 versooil on canvas16 x 30 ¼ inchesJohn Robertson Reid, On the Road to Kildonnan - Arran, 1910£ 4,500.00 -
Alan Reynolds, Legend, 1963£ 2,400.00 -
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Alexander Runciman, Cavaliers on horseback£ 3,200.00 -
Ron SandfordFishplate & Filletsstamped with artist's sealoil and pencil on canvasboard16 x 12 inchesRon Sandford, Fishplate & Fillets£ 850.00 -
Ron SandfordPears Paired and Paredstamped with artist's sealpen, pencil and oil on canvasboard17 ¾ x 22 ¾ inchesRon Sandford, Pears Paired and Pared£ 950.00 -
Ron Sandford, Windfall£ 1,200.00 -
Ron Sandford, North Lamma Channel Night£ 1,500.00 -
Ron Sandford, Orchids£ 1,500.00 -
Ron Sandford, Quick Thaw£ 1,800.00 -
Ron Sandford, Bluemull Bouquet£ 1,800.00 -
Ron Sandford, Horse Shoe Crab£ 2,200.00 -
Ron SandfordAncient Gardenstamped with artist's sealpen, ink, oil and watercolour on paper21 ¼ x 31 inchesRon Sandford, Ancient Garden£ 2,500.00 -
Ron SandfordPanmen Ancient Gatestamped with artist's sealpen, oil and watercolour on paper22 ¾ x 30 ¾ inchesRon Sandford, Panmen Ancient Gate£ 2,500.00 -
Ron Sandford, O Tsai (Little Dock) I£ 2,800.00 -
Ron SandfordIn a 'boatie hoose' II, Mid Yell Voestamped with artist's sealmixed media on paper27 ¾ x 28 inchesRon Sandford, In a 'boatie hoose' II, Mid Yell Voe£ 2,800.00 -
Ron SandfordFragrant Windowstamped with artist's sealpen, oil and watercolour on paper45 ¾ x 32 ½ inchesRon Sandford, Fragrant Window£ 4,500.00 -
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Ron SandfordO Tsai (Little Dock) II, night, Yung Shue Wan, Lamma Island, 1995signed and dated 95, stamped with artist's sealmixed media on paper28 x 39 ½ inchesRon Sandford, O Tsai (Little Dock) II, night, Yung Shue Wan, Lamma Island, 1995£ 3,800.00 -
John Pollard SeddonJardiniere, 1877CJC Bailey, Fulham Pottery (maker)
salt glazed stoneware8 ½ x 12 ¼ inchesJohn Pollard Seddon, Jardiniere, 1877£ 1,800.00 -
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John Bulloch Souter, Girl with Guitar£ 1,200 + 4% ARR -
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Rupert Spira, Shallow bowl£ 650.00 -
Fred StivenHarbour Box, 1972signed and dated '72, signed and titled versomixed media construction13 ½ x 11 x 2 ¾ inchesFred Stiven, Harbour Box, 1972£ 1,800 + 4% ARR -
Alick Riddell Sturrock RSA, Country Farmhouse£ 2,800.00 -
Guy TaplinPreening Diverinscribed with signature and title to basecarved wood24 x 8 ½ x 10 inches (61 x 21.5 x 25.5 cm)Guy Taplin, Preening Diver£3,500 + 4% ARR -
Ernest Archibald TaylorCarse Farm, New Abbeysigned and inscribed 'Carse Farm' in pencil to marginwatercolour8 ½ x 10 ¾ inchesErnest Archibald Taylor, Carse Farm, New Abbey£ 1,500.00 -
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Charles Frederick Tunnicliffe RAThe Thief, 1928monogrammed and dated 28 in plate; signed and numbered 51/75 in pencil to marginetchingedition of 756 x 9 inches (15.2 x 23 cm)Charles Frederick Tunnicliffe RA, The Thief, 1928£ 750.00 -
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Johann Heinrich VogelerTable and chairs (pair), c.1910for Worpsweder Werkstätte (maker)
incised marks 'H V/ W' on reverse of chair seats (Heinrich Vogeler, Worpsweder Werkstätte)oak and drop in rush seatstable: 28 ½ x 35 ½ x 29 ½ inches (72.5 x 90 x 75 cm)
chair: 39 ¼ x 18 ½ x 18 inches (100 x 47 x 46 cm)Johann Heinrich Vogeler, Table and chairs (pair), c.1910£ 3,200.00 for the set -
Charles Francis Annesley Voysey (attributed)Donegal carpet, c.1900manufactured by Alexander Morton & Co., Scotland (Donegal Carpet Industry) for Liberty & Co., Londonhand-knotted wool157 x 128 inches (400 x 325 cm)Sold -
Charles Francis Annesley VoyseyTulip and Poppy, c.1890sdesigned for Tomkinson & Adams, Kidderminster, England; signed on front 'C.F.A. Voysey'watercolour on squared paper18 x 12 inchesCharles Francis Annesley Voysey, Tulip and Poppy, c.1890s£ 3,500.00 -
Charles Francis Annesley VoyseyVentilation grille/trivet, c.1892possibly manufactured by Comyn Ching & Co., Ipswich, or T. Elsley & Co.cast iron6 x 13 ½ x 8 ½ inches (15 x 34 x 21.5 cm)Charles Francis Annesley Voysey, Ventilation grille/trivet, c.1892£ 2,400.00 -
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George Walton (attributed)Glasgow School chandelier, c.1890copper, brass and wrought iron9 ½ x 23 ½ inches (24 x 60 cm)
chain length: 62 inches (157 cm)George Walton (attributed), Glasgow School chandelier, c.1890£ 4,800.00 -
Robert WelchDecanter, 1968hallmarked to collar; Birmingham, 1973blown glass with silver stopperheight: 11 ¾ inches (30 cm)Robert Welch, Decanter, 1968£ 1,800.00 -
Robin WelchDeep stoneware bowlimpressed 'RW' to basestoneware with white and grey textured glaze7 x 9 ¼ inchesRobin Welch, Deep stoneware bowl£ 500.00 -
Robin WelchOval vesselimpressed with maker's mark to sidepartially glazed stoneware11 ¾ x 6 ¼ x 3 ¾ inchesRobin Welch, Oval vessel£ 850.00 -
Robin WelchTapered oval vesselimpressed with maker's mark to basestoneware14 ¼ x 4 ¾ x 6 ¼ inches (36 x 12 x 16 cm)Robin Welch, Tapered oval vessel£ 950.00 -
Robin WelchBanded bottle vase, 1990impressed RW 90 to basestoneware with porcelain top21 ¾ x 7 ¾ x 7 ¾ inchesRobin Welch, Banded bottle vase, 1990£ 1,600 + 4% ARR -
James McNeill WhistlerLa Rétameuse, 1858signed and inscribed 'Imp. Delatre. Rue St. Jacques. 171.' in plate; printed in black ink on wove paperetchingan impression in the second (final) state4 ½ x 3 ½ inches (11.2 x 8.9 cm)James McNeill Whistler, La Rétameuse, 1858£2,000 + 5% import duty -
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James McNeill WhistlerC. L. Drouet, Sculptor, 1859signed, dated 1859, inscribed 'Whistler Maitre Eaufortier' and 'Drouet. Sculpteur.' in plate; printed in black ink on laid paperetching and drypointan impression in the second (restored) state9 x 6 inches (22.6 x 15.2 cm)James McNeill Whistler, C. L. Drouet, Sculptor, 1859£1,200 + 5% import duty -
James McNeill WhistlerBillingsgate, 1859signed and dated 1859 in plate; printed in black ink on thin Japan paperetching and drypointan impression in the eighth (final) state6 x 8 ¾ inches (15.2 x 22.3 cm)James McNeill Whistler, Billingsgate, 1859£4,000 + 5% import duty -
James McNeill WhistlerLimehouse, 1859signed and dated 1859 in plate; printed in black ink on thin Japan paperetching and drypointan impression in the third (final) state5 x 8 inches (12.8 x 20.4 cm)James McNeill Whistler, Limehouse, 1859£6,500 + 5% import duty -
James McNeill WhistlerThe Forge, 1861signed and dated 1861 in plate; printed in black ink on thin Japan paperdrypointan impression in the sixth (final) state7 ¾ x 12 ½ inches (19.7 x 31.9 cm)James McNeill Whistler, The Forge, 1861£2,000 + 5% import duty -
James McNeill WhistlerOld Hungerford Bridge, 1861signed in plate; printed in black ink on laid paperetching and drypointan impression in the fourth (final) state5 ½ x 8 ½ inches (14 x 21.5 cm)James McNeill Whistler, Old Hungerford Bridge, 1861£2,000 + 5% import duty -
James McNeill WhistlerBattersea Dawn (Cadogan Pier), 1863signed with the butterfly in pencil to margin; signed in plate; printed in black ink on laid paperetching and drypointan impression in the second (final) state4 ½ x 6 inches (11.5 x 15.3 cm)James McNeill Whistler, Battersea Dawn (Cadogan Pier), 1863£4,500 + 5% import duty -
James McNeill WhistlerThe Doorway, 1879-80signed with the butterfly and inscribed 'imp.' in pencil to margin; printed in dark brown/warm black ink on laid paper, trimmed at the platemark leaving a signature tabetching and drypointan impression in the ninth state (of twenty), published by The Fine Art Society in Venice, a Series of Twelve Etchings (the ‘First Venice Set’), 1880, no. 511 ½ x 8 inches (29.2 x 20 cm) -
James McNeill WhistlerThe Traghetto, No. 2, 1880signed with the butterfly and inscribed 'imp' in pencil to margin; signed with the butterfly in plate; printed in black ink on laid paper, watermark circle of pearlsetching and drypointan impression in the fifth state (of nine)9 ½ x 12 inches (24 x 31 cm) -
Whytock & Reid, Edinburgh (maker)A pollarded oak writing table, c.1930in the manner of Sir Robert Lorimer, the rectangular cross banded top with leather inset above a central drawer flanked by two short drawers on moulded legs ending in pointed toes.oak30 ¼ x 48 ¼ x 24 ¼ inches (77 x 123 x 62 cm)Whytock & Reid, Edinburgh (maker), A pollarded oak writing table, c.1930£ 2,500.00 -
Sir David Wilkie RA HRSAA sketch for 'The Chelsea Pensioners reading the Waterloo Dispatch'ink on paper4 ¾ x 4 ½ inchesSir David Wilkie RA HRSA, A sketch for 'The Chelsea Pensioners reading the Waterloo Dispatch'£ 1,400.00 -
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Hugh William WilliamsCastle Campbell, 'The Castle of Gloom', c.1810pencil and watercolour26 ¼ x 35 ¼ inchesHugh William Williams, Castle Campbell, 'The Castle of Gloom', c.1810£ 5,800.00 -
William Heath WilsonA view of Florence from Monte Alle Croci, 1874signed and dated 1874oil on canvas12 ½ x 21 ¾ inches (32 x 55 cm)William Heath Wilson, A view of Florence from Monte Alle Croci, 1874£ 6,500.00 -
