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James McNeill Whistler 1834-1903
Rotherhithe, 1860signed and dated 1860 in plate; printed in black ink on laid paperetching and drypointan impression in the sixth (final) state11 x 8 inches (27.8 x 20.3 cm)One of Whistler's most iconic London views, Rotherhithe was etched from the balcony of the Angel Inn in Bermondsey, looking northwest toward Wapping. His vertical division of the composition with...One of Whistler's most iconic London views, Rotherhithe was etched from the balcony of the Angel Inn in Bermondsey, looking northwest toward Wapping. His vertical division of the composition with an asymmetrical post shows Whistler experimenting with Japanese ukiyo-e devices found in prints that he owned, including those by Kiyonaga. The etching served as a preliminary study for his major painting Wapping (on show at Tate Britain in their Whistler exhibition, closing 27 September), and both works feature figures seated on the tavern balcony overlooking the river. Whistler wrote to his friend Fantin-Latour about the difficulty of painting the ‘unbelievably difficult’ background of shifting boats and rigging directly from nature. In the print, the dome of St Paul's is just visible through a complex web of masts.Literature
R. Thomas, A Catalogue of the Etchings and Drypoints of James Abbott MacNeil Whistler (London 1874), no. 41;F. Wedmore, Whistler's Etchings: a Study and a Catalogue (London 1886), no. 60;
H. Mansfield, A Descriptive Catalogue of the Etchings and Dry-Points of James Abbott McNeill Whistler (Chicago 1909), no. 66;
E.G. Kennedy, The Etched Work of Whistler (New York 1910), no. 66;
M.F. MacDonald, G. Petri, M. Hausberg, and J. Meacock, James McNeill Whistler: The Etchings, a catalogue raisonné, (Glasgow 2011), on-line website at http://etchings.arts.gla.ac.uk, no. 70
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