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James McNeill Whistler 1834-1903
Old Westminster Bridge, 1859signed and dated 1859 in plate; printed in black ink on laid paperetching and drypointan impression in the third state (of four)3 x 8 inches (7.6 x 20.4 cm)This panoramic view depicts Old Westminster Bridge as it appeared during its reinforcement with wooden piles and struts. In the distance, the silhouette of the Houses of Parliament and Big...This panoramic view depicts Old Westminster Bridge as it appeared during its reinforcement with wooden piles and struts. In the distance, the silhouette of the Houses of Parliament and Big Ben are clearly visible against a sketchy, breezy sky. The composition, with its narrow format and high detail concentrated in the centre, was heavily influenced by the 17th-century panoramas of Wenceslaus Hollar, an artist well-represented in the collection of Whistler’s brother-in-law, Seymour Haden. Whistler adds a touch of rural life to the urban scene by including two men on horses in the foreground water, perhaps cart horses used for pulling barges. This work represents a more conventional topographical style compared to the gritty realism of his Wapping etchings.Literature
R. Thomas, A Catalogue of the Etchings and Drypoints of James Abbott MacNeil Whistler (London 1874), no. 36;F. Wedmore, Whistler's Etchings: a Study and a Catalogue (London 1886), no. 36;
H. Mansfield, A Descriptive Catalogue of the Etchings and Dry-Points of James Abbott McNeill Whistler (Chicago 1909), no. 38;
E.G. Kennedy, The Etched Work of Whistler (New York 1910), no. 39;
M.F. MacDonald, G. Petri, M. Hausberg, and J. Meacock, James McNeill Whistler: The Etchings, a catalogue raisonné, (Glasgow 2011), on-line website at http://etchings.arts.gla.ac.uk, no. 47
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