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James McNeill Whistler 1834-1903
Eagle Wharf, 1859signed and dated 1859 in plate; printed in black ink on laid paperetchingan impression in the first (only) state5 ½ x 8 ½ inches (14 x 21.7 cm)At the forefront of this etching is an unknown sitter atop the hatch of a barge, staring directly at the viewer with an unapologetic look. Behind him, the low tide...At the forefront of this etching is an unknown sitter atop the hatch of a barge, staring directly at the viewer with an unapologetic look. Behind him, the low tide reveals a cluttered foreshore of planks and duckboards in front of the Tyzack, Whiteley & Co. warehouse at 269 Wapping High Street. Contemporary critics noted the brilliant care that Whistler took in rendering the middle-distance warehouses and the huddled walls of the wharf gables. In contrast, the foreground subjects, including the boy and the barge, are indicated with a ‘careless touch’ and simple outlines, a technique that showcases Whistler’s selective focus. This specific site in Wapping was a favourite of Whistler’s, providing a novel and gritty subject that combined elements of seascape with urban Realism.Literature
R. Thomas, A Catalogue of the Etchings and Drypoints of James Abbott MacNeil Whistler (London 1874), no. 40;F. Wedmore, Whistler's Etchings: a Study and a Catalogue (London 1886), no. 39;
H. Mansfield, A Descriptive Catalogue of the Etchings and Dry-Points of James Abbott McNeill Whistler (Chicago 1909), no. 40;
E.G. Kennedy, The Etched Work of Whistler (New York 1910), no. 41;
M.F. MacDonald, G. Petri, M. Hausberg, and J. Meacock, James McNeill Whistler: The Etchings, a catalogue raisonné, (Glasgow 2011), on-line website at http://etchings.arts.gla.ac.uk, no. 50
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