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Welcome to The Journal, the inaugural edition of The Fine Art Society's newsletter, and the first, we hope, of many. It marks our new chapter at 25 Carnaby Street, and the launch of our collective Edinburgh and London autumn show, Twenty Twenty. Whilst we face national limited movement, both of our galleries are open by appointment or walk-in. In addition to this, our website brings you fully digitised versions of our exhibitions, as well as comprehensive 3D tours, so you can enjoy the gallery experience from home. Here, in The Journal, we've looked a little closer at some of the highlights included in our shows.
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THE BEST SHOP RETURNS
As The Fine Art Society reopens its doors on London's Carnaby Street, Rowena Morgan-Cox looks back at the historical web of artists and artworks that tie our past to our future.
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AGNES MILLER PARKER
artist in focus
Agnes Miller Parker: a female anomaly of her time. Emily Walsh explores how this independent thinker was unafraid to reject societal norms and conventions of womanhood.
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ERIC VERRICO
the most beautiful of johnny's circus
He was the most beautiful of Johnny's Circus. But just who was Eric Verrico? We take a deeper look at the enigmatic sitter and his relationship with the prolific bohemian artist.
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PLYWOOD
the unlikely modern icon
Plywood is the most unexpected of materials to work its way into the common vocabulary of Modernist British design. We take a better look at this most unlikely modern icon.
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